Familiar

La Patagonia, southern Argentina. After his mother's death, Nahuel, a violent teenager, meets his biological father, Ernesto, a skillful hunting guide; but their reunion is harsh, since their souls are only ruled by pride and resentment.

Mendizábal, a hit man, its ordered by his anonymous clients to murder a man. But in the precise and obsessive persecution, he will discover that he is only part of a game that doesn't belong to him, a web at the service of greater interests.

Deep in the lush river jungles of Argentina, Alvaro lives a solitary existence fishing and harvesting reeds. What sets him apart from the rest of his village is that he is gay. There are no other gay men in his world, his only means of expression is with the occasional outsider who passes through. Most of these men come via the river taxi El León, whose captain El Turu is a mean man with a homophobic streak and a secret. When illegal loggers appear in the jungle El Turu accuses Alvaro of aiding them, a dispute which leads both men towards confrontation.

An accidental meeting between a French woman who goes to South America to adopt a baby and an Argentinian woman who with her small son leaves their hopeless village in search for a better life changes both of their lives forever.

Ana is a woman of thirty-something, goes back to the house where she spent of her childhood during the Argentine dictatorship.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

An intricate exploration of football, international rivalry, personal disappointments and the enduring power of friendship that transcends national boundaries.

The hit musical based on the life of Evita Duarte, an Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

A woman is in shock at the loss of her baby after being ferociously beaten by her husband. Clementina’s trauma causes her to see ghosts.

A woman from the country moves into to the big city of Buenos Aires to start a new life. Things are not going very easy and she soon finds herself working as a prostitute.

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?

Para siempre

A quiet, epileptic taxidermist plans the perfect crime. All he needs is the right opportunity. An accident, perhaps…

As he sits on a present situation where his childhood's expiration date gives way to an uncertain adolescence, Agustín decides to create a small freedom spot far from his daily routine.

One night Malena and Pablo, a sister and brother traveling together in Argentina, discover a diary that details crimes committed twenty years ago.

When two American girls on a bike trip in a remote part of Argentina split up and one of them goes missing, the other must find her before her worst fears are realized.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.