The long flights of spacecraft have been in the past, as well as the chronicle of accomplishments. Snatches of memory bring to us the fragments of those memories that are confused and do not leave a coherent and consistent trace. All in the past. But was it really ?!
An anxiety-free day. Trees, flowers, bridges, the ocean, and people reading (the same book).
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also
Woche
part of the Preludes series (1996)
Prelude 10 is a double-printed film with an extreme mixture of darks shot thru with jewel-like bursts of color, and very white bursts of light and fleeting colored forms.
Thick weaves of multicolored lines and dull-colored blobs play off against each other.
A bursting of mostly golden light forms as if heralding sunlight itself in their hurried (single-frame) display.
Singly-printed multi-colored watery "blobs" and "feathery" streaks of painted color, dominated by yellows and reds interweaving in complexity until there's an evolution of hard-edge autumn leaf patterns which dissipate into patterns similar to the beginning of the film.
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
"Images and sounds culled from the first few months with my daughter, sometimes resembling that of a family group chat, where pictures and videos are shared; small moments. The film is full of joy, and full of uncertainty, barely holding itself together." A companion piece to 'My Heart is Walking Around Outside of my Body'.
Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.
On a remote almost uninhabited island, there are two gently friendly representatives of the once opposing sides. They have long been accustomed to each other and do not expect any changes in life. And all of a sudden a woman appears on the island!
The historical-revolutionary film by Dmitry Frolov, permeated with the romanticism of the revolutionary events of 1917, echoing the moods of August 1991. Since the film was shot the day after the victory over the coup plotters in the USSR in August 1991. All thoughts of the beekeeper - quotations from Lenin's works.
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...
A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.
This Petersburg you will not see on the covers of glossy magazines and advertising brochures. This city is ghosted and brutal, and it is inhabited by very different, often very gloomy people.
In December, 1941, using music by Stravinsky, this film provides a reaction to the Japanese attack on Pearl Harbor. An egg is smashed by a hammer; red color with white and then blue dominates the frame. Blue paint runs; small bulbs float. The dark colors spread. White, red, blue, and black dominate the frame. Then comes fire. The bulbs burn and break. A broken bulb's filaments are exposed.