Milk Fever

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Mit mívelt Isten

The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.

Song written and produced by Sokif Vocals by Calu (Matryoshka)

A young girl from New Orleans dreams of celebrating her birthday during the weekend of Hurricane Katrina.

Brocolis

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?

Seasonal movements and bittersweet moods of young adults faced with the realization of mortality, movement and the passing of things.

The Listener

A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.

Matarile

El Retiro

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

A cam girl sets up a camera to record herself cooking, blurring the lines between performance and intimacy as she unravels intrusive thoughts while waiting for her date to arrive.

Experimental video art shot in the Wallingford neighborhood of Seattle

The why is an experiential meditation on death, on loves lost, the duality of mind, and ultimately the nature of attachment and memory turned obsession.

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.