Milk Fever

Fragments of pottery. Gold, silver, jewellery. Contemporary art. Luciana Decker Orozco visits various museums and collections in London, tracing a homegrown past present on another continent. Each piece are windows that open and close, briefly revealing what they hide, a mystery that she encapsulates in her celluloid and magical editing.

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Re'Clame

A silent city symphony, projected from gorgeous black and white 16mm film. Materia vibrante lets the resonating frequencies of the urban environment create the inaudible hum that keeps the engines of society running, absent of the inhabitants running around like little ants toiling away.

A homeless woman, a loitering housekeeper, a man who lost his key and the children hiding in the suitcase-hiding, seeking and chasing in the castle. "I'm going to meet the king. If you don't stay in the room and run out. Beasts will eat you up." In the empty castle. A loitering housekeeper looking for the body day and night. Woman chasing the king who lost the key. The kids who playing hide and seek in order to find the mother, regardless beasts outside and walk into deeper darkness.

The virtual world generated by the real world of the twentieth century is growing exponentially, like an organism in a Petri dish. Crossing its own borders in to new zones, it absorbs its founders and mutates in to something absolutely new. In this new world real wars look like a game on americasarmy.com. Prison torture appears more like the sadistic exercises of modern-day valkyries. Technologies and materials transform the artificial environment in to a fantasy landscape of a new epoch. This paradise is a mutated world where time is frozen and the past is neighbor to the future.

An experimental dance film that explores how we change ourselves, altering our appearance and behaviour in order to please other people and the emotional and mental impact that has on us.

This experimental film was created via one pass through the camera without special visual effects. Each frame of the film was taken at night via a long time-lapse ("time-exposure") which created the actual images, and each frame of film was taken after a period of time from the previous frame, creating the movement of the images. What looks like the sun in some shots is actually the moon, over-exposed to allow the capture of the much-dimmer stars in the sky. Longer exposures for each frame can make a night-time shot look like a day-time shot, except that you can still see stars moving in the sky. This film won a CINE Golden Eagle.

When the individual lifestyles of the embodiments of urban and nature meet... They clash, and create a new parasitic relationship.

An archival film recovered by the Kydean Film Institute 10 years after the bombing of Renegraad.

The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.

hægtesse

Video art by Vibeke Sorensen made at Calarts in 1989

Bolivian artist and filmmaker Luciana Decker Orozco delves into ancient and essential acts: eating, masticating and digesting. Her suggestive celluloid slips through mouths, intestines and entrails, as well as experiments in the catacombs of the human being and the Earth. Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

Fireworks

This work is a consideration of the vision expressed by "dot".

The short film follows Endika, a director who, in the midst of a clash with his reality, transforms a documentary about paternal absence into a personal quest for reconciliation with his own father.

A user is browsing the Internet looking for a job and, suddenly, finds himself caught up in a spiral of excessive and simultaneous content consumption.

On the 43rd day the rain ceases to subside.