3IRTH

In his Miami studio, built as a solar observatory, a famous painter lives alone, without a wife or children. His only obsession is to paint at dawn. But for some unknown reason, as he prepares to finish his last canvas, that morning the sun does not rise.

The day-to-day life of a young man struggling from depression, haunted by the unending rainstorm pounding against his house.

En tos'laos

Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?

An abstract exploration of memory and loss.

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

A dreamlike depiction of fleeting aspirations.

A depiction of the varying passage of time.

A teenager contemplates his relationship with God and others as his days are filled with loneliness.

An exploration of personal questions of death and religion through the acting of Adler Rux and Hannah Lavender. This film is also supported by the music of Agile Gibbon, with their song "Hot Air Balloon" and a score provided by Elijah Healy, Adler Rux, and James Fincher.

A pathetic love letter.

A poem in tap.

A photographer explores a city, contemplating the ethics of her medium.

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.

A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.

A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.

Zach, a 16-year-old, endures his internal emotional struggles on one saturday.