Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
Inspired by a fan, TV satirist Arjen Lubach makes the move from the news desk to the stand-up stage to share his search for life’s secrets. Plus, music!
Klaas van der Eerden: Sixpack
Jenő Rejtő's works have one purpose, entertainment. One laughs to tears during a cabaret scene. In this show, the best comedians present his writings, Ila Schütz, István Mikó, László Tóth Tahi bring Rejtő's heroes to life.
An entertaining compilation of cabaret scenes by Jenő Rejtő, accompanied by contemporary chansons.
An entertaining compilation of cabaret scenes by Jenő Rejtő.
A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.
Roué Verveer: Typisch Surinaams
Gabriel Iglesias is one of the fastest-rising comics today! With his unique brand of humor, lovable stage presence and wide range of voices and impressions, it's no wonder that he already has a huge fan following. Now you can see Comedy Central's "Comic of the Year" in his sold-out performance at the historic Fox Theatre in Bakersfield, California!
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.
The show of Toon Hermans anno 1991
The tour for "Zorg dat je erbij komt" was completely sold out. For three shows at the Meervaart, more than 150,000 people wanted tickets in just one weekend!
Roué Verveer: In Zeer Goede Staat
Registration of the sixt theatre program by the Dutch comedian Theo Maassen.
More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.
Caribbean Combo: Tijd voor Caribbean Combo
Paul de Leeuw: Poephoofd