MUNZIGER

To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.

Dia de Visita

Um Samurai em São Paulo

Homem Livre

Documentary looking at a century of cycling. Commissioned to mark the arrival of the 2014 Tour de France in Yorkshire, the film makes full use of stunning British Film Institute footage to transport the audience on a journey from the invention of the modern bike, through the rise of recreational cycling, to gruelling competitive races. Award-winning director Daisy Asquith artfully combines the richly-diverse archive with a hypnotic soundtrack from cult composer Bill Nelson in a joyful, absorbing watch for both cycling and archive fans.

Directed by journalist Ricardo Alexandre, the documentary tells the story of the Napalm nightclub, responsible for the new wave and post-punk generation in Sao Paulo. Mixing live shows, cutting-edge DJing and videos in its "modern" internal television system, the venue quickly became a meeting point for young people who shaped the grayer side of Brazilian rock in the 80s.

A feature-length documentary exploring the unsolved murder of French bicyclist Alain Malessard who was found dead in an Oregon Coast campground on Thanksgiving 1987.

For Los Angeles natives living in the early 1900s, bicycles and streetcars shared the road as our primary modes of transportation. But the arrival of the freeway effectively wiped them out. Today, a collective of cycling communities fight for protected bike lanes and road safety, determined to bring a new era of mobility justice to the city.

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Liberdade Não é Só Japão

A documentary about cycling and those who participate in it, from the point of view of various people. From South to Center Portugal, and even the UK, France and Spain, it aims to understand the passion of cyclists when it comes to this hobby and, most particularly, old-school bikes

"Woodstock - Mais Que Uma Loja" tells the story of the Woodstock Discos store, a stronghold considered ground zero for heavy metal in São Paulo and one of the pioneers of the style in Brazil.

And urban planner's journey to making the impossible possible.

In operation to this day, the mansion known as Madame Satan began its activities in 1983, and in the 1980s was the main hub of avant-garde artists of the city, from which came out disparate and essential names for music, performing arts, visual arts, journalism, photo and video of Sao Paulo, as well as mythical characters of the night of São Paulo who made history with their absurd and impactful performances.

A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.

Fora da Caridade Não Há Salvação

Jorden runt på 1000 dagar

After quitting their jobs and selling their house and cars, a couple bikes around the country visiting 100 sustainable communities as they look for a new place to live. Along the way, they explore the meaning of community -- and of life itself.

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

Amidst the paralysis of downtown São Paulo, the film follows the journey of 5 characters to the same place - a common meeting point. The voices and experiences of each reveal something greater: a new perspective on life, movement and art.