On 19 March 1966, a photo exhibition about the police intervention during the wedding of Beatrix and Claus opened in Amsterdam. After the opening, filmmaker Louis van Gasteren filmed how, in the distance, policemen began beating up a young man, seemingly without any provocation. This footage was shown that same evening on television. Van Gasteren interviewed the victim, a 22-year-old student, who declared that he was walking in that direction because his ‘bicycle was there’. That became the title of this short film, in which Van Gasteren used slow motion to analyse the objectionable actions taken by the police.
A generational trauma through the lens of an Asian American teenager through food and poetry.
An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
Experimental Short Film Documentary made during the social outbreak, follows 2 Deaf people walking through the outbreak in Plaza Dignidad.
In an extended panoramic view—an "audioscopy" of Algiers—the camera’s eye scrutinizes various buildings and city-center neighborhoods with an intimate approach. "I want to show Algerian society’s openness to the world and to modern means... as well as its contradictions regarding tradition." One might think that filming is merely about capturing images; yet for Hassen Ferhani, filming is first and foremost about welcoming presences—allowing the world to emerge with all its density, fragility, and silences. He does not frame to confine, but to liberate; he frames to offer a space where people, gestures, and voices can find their true rhythm. This kind of cinema dictates nothing: it stands back—attentive and open—allowing itself to be surprised by the most unpredictable aspects of reality, and it is in this act of letting go that beauty is born.
Ensayos y errores
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Cine Dunas
Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.
An in-depth portrait of Colombina Parra, singer-songwriter, writer, and architect with strong ties to Chilean popular culture. On camera, she shares personal reflections on an artistic journey that has connected her since childhood to the profound legacy of her father, Nicanor, and her close relatives, such as Violeta and Roberto Parra. The archives highlight her persistent rock endeavors with bands like Barracos and Los Ex, and ultimately, her own solo path. These are the journeys of a woman determined to find her own voice, exploring her emotions and concerns through her songs.
Lesley, in her 80s, and teenager Jay deliver spoken word poetry expressing their sense of belonging, home, and their vision for the future of the area where they live. One in a series of short films made in collaboration with residents of Ebbsfleet and its surrounding areas.
A short film on breathing and quiet afternoons.
February 2010. On a remote island in the Pacific Ocean called Juan Fernández, everyone slept in town. But a 12-year-old girl felt a tremor and warned of imminent danger.
The visions experienced by a man in the midst of Chile’s social revolt lead him to revisit different moments of his life while his mind wanders through a limbo of images. The journey will help him to finally discover why he’s in that place.
A recruitment video created by Earth First! in 1990 to promote their Redwood Summer initiative.
Never before in Russian history has the Russian domestic intelligence services been more powerful than today. The FSB is a murky organisation that can ruin people’s lives who are deemed enemies of the Russian state and even commit murder on behalf of the Kremlin. Four people in exile open up about their experiences with the FSB.
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
Gathered by a theater company, a small town in Chile called Villa Alegre, looks deep into its origins and myths to tell their own history through a play.
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.