Elements

Great darkness and dominant light.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Two robots embark on a quest to become human.

The story of a girl, after a breakup, removing her makeup and finding herself again in grief. About life, places, being yourself wherever you are, in love, and not losing yourself, moving through things. "Balaclava Quemado is about not ceasing to be yourself no matter what situation you find yourself in; with or without wearing it, it's the strength to keep going, it's a bit of a symbol of taking the freedom that one can and carries within." Daniela.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

A new type of cinema you can perceive with your butt hole.

Jo; or The Act of Riding a Bike is Zefier's third film.

All she knows comes from the screens. All she has known is the screens. A screen breaks and everything changes.

When he understood it was all a dream. He decided to stay until eternity, darker since you died.

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

When Aziza finally shares a recurring dream, it’s what she leaves unsaid that reveals her fractured sense of self. Aziza’s dream – in which she must sing a song – takes her on a journey through the post-industrial hills of the American Rust Belt, the eternal fields of Egypt, and the most repressed parts of her mind.

a 22-minute French experimental short film directed by Marin Karmitz and Jean Ravel, based on Samuel Beckett's 1963 play. It features actors Eléonore Hirt, Michael Lonsdale, and Delphine Seyrig in a stark, black-and-white adaptation focusing on light and sound, which was notably showcased at the 1966 Venice Biennale.

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

The short film poem KYKLOP is dedicated to a mechanical eye as an autonomous being. Round wheels and targets similar to him seem to arouse the interest of this main character. The atmosphere is thundery, thunderous. It reminds of the cyclopean thunder demons from the "Theogony" of the ancient Greek poet Hesiod. KYKLOP (2023) is another autonomous part of the film cycle by Telemach Wiesinger and Alexander Grebtschenko that began with TURBULENCE (2022) and its pairs of mechanical wings.

When Demonetization (currency ban) is announced in India, 3 unlikely characters come face to face for a bag of cash. After that a car journey begins and some more characters come into picture. This results in a cat and mouse game with a very unexpected outcome.

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.

A Landscape documentary about the silent voids the living inhabit after everyone they love has gone.

As people overrun tourist attractions, the inherent beauty crumbles to dust.

ACIdRAPTURE ZEBRA

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.