Marcos Morau : La Belle au bois dormant

Fields of France, during the First World War. A group of young soldiers, united by the indiscriminate brutality of battle, fights to maintain their humanity in an endless cycle of combat and death.

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

In a claustrophobic Venice of lavish dress and gilded interiors, Casanova is preparing for a career in holy orders when an erotic encounter sets him on a different path. Performed by the Northern Ballet live at the Palace Theatre, Manchester.

Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.

La Fille Mal Gardée (The Wayward Daughter) is a highly acclaimed comedy ballet that appeals to audiences of all generations. Some of the finest dancers have appeared in this work by Sir Frederick Ashton, which has been staged at theatres around the world, including at the Paris Opera, Bolshoi Theatre, American Ballet Theatre, Boston Ballet and National Ballet of Canada. Audiences are captivated by the storyline: will the wild young Lise fight for her love despite her desperately overprotective mother? Will she marry her beloved Colas? Or will she listen to her mother’s words and accept Alain, who is wealthy but a little bit “out of his head”? This ballet celebrates the joy of life and, above all, love. It is colourful and full of humour, with dancers who simply make audiences smile.

On Christmas Eve, a young girl has a dream... Emotional awakening, physical transformation, childhood that slowly merges into adulthood... behind what seems to be a tale for children slowly emerges a danced initiatory journey. And while children revel in Drosselmeyer's magic tricks and enjoy a good scare with the apparition of the Mouse King, the adults notice all the finesse that pervades this narrative and admire the virtuosity of the choreography.

Dvořák's "Rusalka" in a production by David Pountney at the English National Opera in 1986. Mark Elder conducts the orchestra, accompanied by the English National Opera Chorus in English.

Sergei Prokofiev's eighth and last ballet, written between 1948 and 1953. It is based on the Russian Ural folk tale The Stone Flower by Pavel Bazhov and is also the last of the trilogy of ballets Prokofiev wrote in the Russian ballet tradition. It was premiered posthumously in 1954, conducted by Yuri Fayer.

Filmed on the stage of London's Covent Garden. Includes extracts from Swan lake, Ondine & The Firebird.

In 1931 Shostakovich wrote a full-length score for the Leningrad Music Hall, for a show that involved many of the leading entertainers of the day, as well as dancing girls, a jazz band, a dancing dog, sequences of silent film, simulated air-raids and gas attacks, a lorry, a storm, waiters and waitresses in a luxury restaurant, river nymphs and even a scene in Heaven with the Devil, the Twelve Apostles, the Archangel Gabriel and all the other angels doing a blasphemous knees-up. The show was naturally a momentary scandal and the score soon disappeared. In 1991 Gerard McBurney reconstructed from the surviving sketches a sequence of 21 of the orchestral numbers to make a hilarious sequence of gallops, saucy polkas, marches and schmoozy waltzes.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

From the Styriarte Festival in Graz Austria, the acclaimed mezzo-soprano Cecilia Bartoli and Maestro Nikolaus Harnoncourt with his orchestra Concentus Musicu Wien, present a concert on Haydn arias and Symphony No.92, the "Oxford". The singing virtuosity of "Scena di Berenice" is sublime as is the performance of The "Oxford" Symphony from the ensemble renown for its specialty in early music and playing on period instruments. A unique concert.

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.

Dimash Kudaibergen - ARNAU Tour in New York

Experience the story of seamstress Esther who begins writing to a mysterious suitor laboring on the Panama Canal. Featuring a libretto by Pulitzer Prize winner Lynn Nottage, this powerful opera is directed by Tony winner Bartlett Sher.

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.