Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.
Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.
Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.
Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.
Documentary without audio produced by deaf people. Music is depicted visually with the complete absence of musical instruments or voices. Directed by Makihara Eri and choreographer Dakei. With a diverse lineup including ordinary deaf people with zero acting experience and a choreographer who performs in Japan and abroad, this film pulls out all the tops to give visual expression to music through the physical body. An aging man uses multiple sign language poems to convey the four seasons, and a girl expresses the wind amidst the rustling trees.
Filmed during the 52nd National Convention of the American National Association of Letter Carriers in August 1980.
Elam films her close friend, Chuck Kleinhans.
This footage is almost entirely black, save for a few shots possibly showing electric poles outside.
USPS workers go bowling.
Chicago streets.
JoAnn Elam plants collards.
Farm work and nature.
Contrasting environments, in and outside.
Elam records several men moving boxes and furniture as they track across her backyard.
Sprocket holes moving across the screen.
Digging in the woods.
Elam turns in place while filming nature.
An outdoor gathering.
Two women gardening on a sunny day.
At home, outdoors. Street shots.