A disaster truck, which is equipped to meet practically any emergency that arises in the community; In Oklahoma a breeder of under-slung cattle, making possible smaller grazing areas for milk herds; a deburping machine, of all things.
The usual interesting sequences, depicting a home made sun dial, some gadgets for the modern kitchen. Professor Oakes, and Dorothy Lamour singing "Moon Over Burma" (coming soon to your favorite theatre: Moon Over Burma (1940)).
At Arcata, California, testing technology for landing planes in fog. Also: a high-tech barber shop in Westwood Village, California; manufacture of precision steel gauge blocks in Eskilstuna, Sweden.
Airbus : la techno des géants du ciel
Total contrôle
This 1982 film explains the KGB infiltration of America. Who they are, what they are doing, and how well they have infiltrated North America.
As clichés go, in 1999 the World as we knew it was about to change - and we'd been expecting it. Since childhood we'd been promised that the 21st century would bring us dramatic new technologies like flying cars and Utopian cities. Instead it bought us the smart-phone, social media, and virtual societies. And as it turns out these technologies began to transform society almost as dramatically as the moon colonies we'd been expecting. Now over a decade into the revolution, 'DSKNECTD' explores how digital communication technology is profoundly changing the way we interact and experience each other - for the good and for the bad.
Prompt: Make a Documentary investigates the growing influence of artificial intelligence on the film industry. The documentary places the rise of AI within the broader historical context of cinema’s evolution, drawing parallels with earlier technological shifts such as the introduction of sound, colour, and digital visual effects. By revisiting landmark moments in film history, the film demonstrates that disruption has always been part of cinema’s DNA, while questioning whether AI represents a fundamentally different kind of change. Featuring insights from directors, academics, and practitioners, Prompt: Make a Documentary explores the tension between innovation and integrity, the democratisation of creative tools, and the ethical implications of automation in the arts. The film ultimately asks whether artificial intelligence will empower the next generation of storytellers or redefine creativity itself.
La brèche
Peter Thiel. David Sacks. Elon Musk. Mark Zuckerberg. Jeff Bezos. These tech titans have pledged their loyalty to President Trump. But what do they really believe and what do they stand to gain? This unfiltered portrait, revealed by insiders, shows where American democracy is heading and how this handful of tech billionaires accumulated such unprecedented power and influence.
Thirteen intelligence agents who have worked on secret missions for Frances DGSE tell their accounts of recruitment, training, and their fears and victories of acting undercover, as well as the effects on their private and personal lives.
On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.
Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.
Conservation biologist Tim Shields sees urgency in the field and finds that traditional conservation practices are lacking when it comes to saving desert tortoise populations from ravens. He goes rogue, employing an arsenal of lasers, exploding model turtles, drones and desert rovers as a means of protecting the tortoise's dwindling numbers.
New York-based tech company Clearview AI is working to identify and compile the faces of every human being on the planet. The firm claims that its database will serve as a force for good, helping to solve crimes and prevent espionage. But what if Clearview AI’s powerful facial recognition software, that could potentially be used for mass surveillance and profiling, fell into the wrong hands? What if it already has?
Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traces the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action.
In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.
In this Pete Smith Specialty short, we see how real-life investigator Jo Goggin used a motion picture surveillance camera to gather evidence and disprove a fraudulent insurance claim.
LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and the effects of technology on the brain. The goal of the film is to inspire us to self-regulate. Social media is a tool and social platforms are a place to connect, share, and care … but is that what's really happening?
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.