A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.
Every year, thousands of Antarctica's emperor penguins make an astonishing journey to breed their young. They walk, marching day and night in single file 70 miles into the darkest, driest and coldest continent on Earth. This amazing, true-life tale is touched with humour and alive with thrills. Breathtaking photography captures the transcendent beauty and staggering drama of devoted parent penguins who, in the fierce polar winter, take turns guarding their egg and trekking to the ocean in search of food. Predators hunt them, storms lash them. But the safety of their adorable chicks makes it all worthwhile. So follow the leader... to adventure!!
Aptenodytes Forsteri
Documents part 1 of the Jan./Feb. 2002 light DXpedition to Antarctic's South Sandwich Islands on the vessel, Braveheart, where the VP8THU team activate one of amateur radio's remote areas.
Bird Island - Allein unter Pinguinen
Fifteen years ago, a handful of African Penguins, normally found only on remote islands off the Southern African coast, stumbled across on of the Cape's most beautiful and popular tourist beaches. They swam, they saw, they conquered. And today, Boulders beach is home to more than 4,000 of these delightful, resourceful and entertaining seabirds who live side by side with their human neighbours -well, most of the time! These knee-high invaders not only share the beach, they dodge traffic, scale fences, and take over gardens, the golf course and even the occasional bedroom! For the two feathered stars, Henry and Margot, it's a tale of romance, the challenges of parenthood, separation and a penguin's worst nightmare, oil.
Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)
The untold story of South Africa's blackfoot Penguins.
The African penguin is the only penguin that lives on the African continent. It was known as the jackass penguin because of its donkey-like call. This film covers the life cycle of this incredible bird, fom mating to laying of eggs to hunting and the moulting cycle. Sadly, it also shows the stark reality of a bird on the road to extinction.
The hilarious and highly protective Penguins are back and ready to right the wrongs of injustice and deliver cheer to those that need it most. In Operation: Special Delivery , Skipper, Rico, Kowalski, and Private get trapped in a snowstorm, try to escape from the clutches of Officer X, and deal with visits from unexpected family (who may have secret talents of their own). The Penguins have to use their military precision, keen imagination, and the help of some unlikely heroes to deliver order and happiness back to the world which, they realize is the greatest gift of all. Episodes included are: A Visit From Uncle Nigel, The Helmet, Dangers Wears A Cape, Friend-In-A-Box, Hot Ice, Love Hurts, Snowmageddon, Maurice At Peace, Antics On Ice and Mr. Tux.
Donald and Goofy are trappers in the frozen south (Antarctica) with different approaches. Donald sees a penguin and dresses as one to lure her to the chopping block; Goofy baits a trap with fish (then acts like a walrus to capture one that steals his bait bucket).
Celebrate the slips and slides and swims and glides of delightful penguins in poetry and song.
A stop motion puppet animation by Tadahito Mochinaga.
Scamper the Penguin lives a peaceful and adorable life in a small Antarctic, Penguin community. One day, Scamper and his best friend Snowflake drift far out to the perilous sea on an iceberg. The two precious Penguins encounter many challenges and adventures as they try to survive the high seas. Scamper must overcome his fears and find the courage to get their little Penguin buns back home to Antarctica.
King Penguins are first seen in their natural habitat, the Antarctic, after which we see them in the Edinburgh Zoo. With slow-motion pictures we see how they swim with the use of their flippers and feet. Their mating and incubating of their eggs and later, the hatching of them; the rearing of the young at various stages of their growth are also shown.
The night before his 25th birthday, Eric's friends come over for drinks, cake, and the worst news imaginable.
A thoughtful exploration of gypsy culture, an intimate portrait of flamenco guitar player Yerai Cortés and a healing family exorcism through music. Antón Álvarez (aka C. Tangana) makes his filmmaking debut with this documentary.
A Real Hero is an experimental documentary about the life and humanitarian work of His Highness Sheikh Mohammed bin Rashid Al Maktoum.
“Sardar Gurcharan Singh was the father of studio pottery in India. "Daddyji" as most called him lovingly was very close to my father. I often tagged along to visit his home studio where pottery wheels were lined up under the big neem trees in his old brick house. My father wanted me to make a film on Daddyji, who was then 95. He was afraid that Daddyji's wonderful story would be left untold. He not only introduced studio pottery in India but due to his longevity, mentored many potters. So despite not knowing anything about films, I made the documentary, Imprint in Clay with a classmate of mine, which was mostly funded by my father.”