Falklandinseln : Pinguine auf dem Vormarsch

Bird Island - Allein unter Pinguinen

Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.

The untold story of South Africa's blackfoot Penguins.

The African penguin is the only penguin that lives on the African continent. It was known as the jackass penguin because of its donkey-like call. This film covers the life cycle of this incredible bird, fom mating to laying of eggs to hunting and the moulting cycle. Sadly, it also shows the stark reality of a bird on the road to extinction.

Fifteen years ago, a handful of African Penguins, normally found only on remote islands off the Southern African coast, stumbled across on of the Cape's most beautiful and popular tourist beaches. They swam, they saw, they conquered. And today, Boulders beach is home to more than 4,000 of these delightful, resourceful and entertaining seabirds who live side by side with their human neighbours -well, most of the time! These knee-high invaders not only share the beach, they dodge traffic, scale fences, and take over gardens, the golf course and even the occasional bedroom! For the two feathered stars, Henry and Margot, it's a tale of romance, the challenges of parenthood, separation and a penguin's worst nightmare, oil.

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

Documents part 1 of the Jan./Feb. 2002 light DXpedition to Antarctic's South Sandwich Islands on the vessel, Braveheart, where the VP8THU team activate one of amateur radio's remote areas.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

Celebrate the slips and slides and swims and glides of delightful penguins in poetry and song.

King Penguins are first seen in their natural habitat, the Antarctic, after which we see them in the Edinburgh Zoo. With slow-motion pictures we see how they swim with the use of their flippers and feet. Their mating and incubating of their eggs and later, the hatching of them; the rearing of the young at various stages of their growth are also shown.

Donald and Goofy are trappers in the frozen south (Antarctica) with different approaches. Donald sees a penguin and dresses as one to lure her to the chopping block; Goofy baits a trap with fish (then acts like a walrus to capture one that steals his bait bucket).

The hilarious and highly protective Penguins are back and ready to right the wrongs of injustice and deliver cheer to those that need it most. In Operation: Special Delivery , Skipper, Rico, Kowalski, and Private get trapped in a snowstorm, try to escape from the clutches of Officer X, and deal with visits from unexpected family (who may have secret talents of their own). The Penguins have to use their military precision, keen imagination, and the help of some unlikely heroes to deliver order and happiness back to the world which, they realize is the greatest gift of all. Episodes included are: A Visit From Uncle Nigel, The Helmet, Dangers Wears A Cape, Friend-In-A-Box, Hot Ice, Love Hurts, Snowmageddon, Maurice At Peace, Antics On Ice and Mr. Tux.

FIRST FILM was edited and narrated by Lorna Marshall and is comprised of footage shot in 1951 on the second Marshall family expedition to the Kalahari Desert. It is intimate in style, very carefully filmed, with a wealth of practical information about the material culture and structure of Ju/'hoan (!Kung Bushmen) hunter-gatherer society. The film allows viewers to see some of John Marshall's earliest film footage and provides an interesting comparison with the more sophisticated shooting found in his later work.

Greece, Russia, USA, Brazil, China, Senegal. Meeting young people in these countries we heard a ‘Rumble’ foretelling an impending explosion. The fall of communism, crisis of capitalism, ecological catastrophes, migration waves, globalization. The new generation is at the forefront, exposed, helpless without being able to envision a more optimistic future. This ‘Rumble’ comes from this young generation. Their words, images, sounds and music compose the notes of an audio-visual symphony entitled: ‘The Rumble of the World’.

Who are the people who clean the roads of the world? Why are the majority of them women and immigrants? The well-traveled show “Clean City” of the Onassis Foundation Stegi becomes a hybrid film. Four separate directors follow the tour of the show to four cities - Skopje, Sarajevo, Montpellier, Istanbul. Immigrant cleaners, stars of the show but also of their real lives, talk about their experiences, touch on the subject of racism in terms of what is “pure”, the danger of fascism, female immigration and sexual abuse. An anthology film somewhere between documentary and fiction, having as its starting point the filmed theatre play by Anestis Azas and Prodromos Tsinikoris.

Malaysian queer filmmaker Seok and Kenyan disabled activist-scholar Faith – embark on a journey to make a film that captures their friendship, putting them in vulnerable positions as they navigate trauma and healing.

Samwise and Stevie grew up with homelessness in BC and Nova Scotia. Ianos is a gender-queer Greek. Kwaku is a single father who came from extreme poverty and famine.

Documentary which focuses more on the impact of the film upon its release and how it has seeped into the culture since that time. It is always fun to hear John Waters speak on a subject he is passionate about.

Documentary which delves a bit deeper into the story of the film in which the cast and crew discuss some of the narrative beats, the performances in some of the scenes, how true-to-life the depictions were and more.

A documentary in which the creative team discuss the process of adapting the material, the challenge of bringing an icon to life, bringing Frank Perry on to direct, trying to bring authenticity to the casting process and more.