Like We Used To

Miguel is guilty of the serious state of health of his daughter and considers to disappear before seeing it die.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

Simón, a Venezuelan freedom fighter exiled in Miami, copes not only with trauma, but also deep guilt over a choice he must make: stay in Miami and start a new life, or return home to the losing fight against a tyrannical regime.

A premature birth in the middle of the darkness of the 2019 national blackout in Caracas, Venezuela.

Jose lives with his family in La Soledad, a dilapidated villa located in what used to be one of Caracas' most affluent neighborhoods. After learning that the owners are planning to sell the property, Jose seeks any solution that might keep his young daughter from growing up in the city's crime-sodden slums.

El fin de todas las cosas

Más allá del viaje

Gael is an 80-year-old photographer whose passion for the sea and whales takes him on an emotional journey in which he faces the reality of his age and the limits it imposes on his freedom. As he struggles to capture the essence of the sea once again, he is hindered by his overprotective but distant son, Míchel.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

A young man, accused of murder and theft, escapes to Venezuela. His fiancée and her brother join him, only to find he had the loot with him. But was he guilty?

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

Based on the story "The monster in my room" by Miguel Angel López, a girl recounts living with her mother and a monster that stalks her at night.

ETERNAL ASHES tells the story of a mother, Ana and her daughter, Elena. Although they are separated, in the space and time they remain united forever. The people and the millenarian culture of Yanomami are the framework of this story about the unbreakable bonds of filiations. After an accident in the furious flow of the mythical Orinoco River, in the fifties, Ana was considered dead. Elena as an adult and facing the negligible possibility that her mother is alive decides to leave to the Amazon to search her. ETERNAL ASHES is a story of filiations, poetry, wisdom and especially of humanity.

Pablo is a young man going through a crisis of love. His best friend decides to take him to reunion party; there he encounters Daniela, the great love in his adolescence. In the middle of the party he tries conquer her heart, but discovers a reality that he did not expect of her: she is dedicated to the oldest trade in the world

"Get ready for an unforgettable experience where love and the anime world intertwine in "My Otaku Girlfriend"! An anonymous mangaka is discovered by a beautiful otaku influencer, and he must choose between finishing his manga with her or leaving everything behind for graduate studies abroad."

El Regreso is a venezuelan movie written and directed by Patricia Ortega, which tells the story of a Wayuu girl that survived the slaughter of his people, in Bahía Portete from the Colombian Guajira, and therefore, she is forced to grow in a unknown world to her.

Stranded in a small village during Earth's final days, a man seeks solace in the brief human connections he encounters.

Sometimes the story preceding the making of a film is just as important as the work itself. Zach Breder, a young man living with a serious heart defect, had always wanted to shoot a movie and, with the aid of the Georgia Chapter of the Make-A-Wish Foundation, he managed to do just that. This adventure story about a boy named Chris who, with the help of his friends, solves the mystery of his eccentric uncle, began as a “mere” dream and ultimately became a professional film which now celebrates its international premiere at the Karlovy Vary IFF.

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

Two brothers fight to escape a violent and poor neighborhood in Caracas by playing soccer. Daniel wishes to play professionally while Julio supports the family with dirty money. The opportunity of a lifetime comes when a talent scout invites them to the Caracas Football Club. The boys' mother dies in a shootout forcing each brother to decide what it is more important to them:family, revenge, or achieving their dreams.