Dressing Up Father

One night, while trampling the emotions memories of Federico, a chain of decisions leads even point of no return. And when I least expected it, not knowing when your clock showed, his life changed forever ... for eternity. Regardless of the name, neither good nor bad he did, or how others judge them, only their decisions will make the difference when you get ... the Zero Hour.

The story of a father and son told through the making of two sandwiches.

Sixteen-year-old Tomi trusts no one and does his best to protect his little sister Aino from the dangers of the world. But Aino is changing, fast. Because of his own fear of loneliness, Tomi tries to stop his sister, but he will eventually find out that you cannot control another person by force.

Maga Mommaga is a 1974 Indian Kannada-language film, directed by Y. R. Swamy and produced by R. Panduranga Naidu and D. R. Raghavendra Naidu. The film stars Dwarakish, K. S. Ashwath, Vajramuni and Balakrishna in the lead roles. The film has musical score by M. Ranga Rao.

When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.

Stoic and heartbroken, Einar Gilkyson quietly lives in the rugged Wyoming ranchlands alongside his only trusted friend, Mitch Bradley. One day, the woman he blames for the death of his only son arrives at his door broke, desperate, and with a granddaughter he's never known. But even as buried anger and accusations resurface, the way is opened for unexpected connection, adventure, and forgiveness.

When Krisha decides to join her estranged family for a holiday dinner, tensions escalate as she struggles to keep her demons at bay.

Bhale Jodi is a 1970 Indian Kannada language drama film written and directed by Y. R. Swamy. It stars Rajkumar in dual roles with Bharathi and Dinesh in other lead roles. The film was based on the story written by Jawar Seetharaman and was produced under Rajkamal Arts banner. The movie was remade in Telugu in 1972 as Bullema Bullodu starring Chalam and in Hindi in 1973 as Jaise Ko Taisa. Rajkumar appeared as Echchamanayaka in a small drama sequence in the movie.

C.I.D. Rajanna is a 1970 Indian Kannada-language film produced and directed by R. Ramamurthy, starring Rajkumar. The supporting cast includes Rajasree, Premalatha, Dinesh, Ranga, Dwarakish and K.S. Ashwath.

Baalu Belagithu is a 1970 Indian Kannada language drama film written and directed by Siddalingaiah. It stars Rajkumar, Jayanthi and Bharathi.[1] The film was released under Chitrashree International banner and produced by K S Prasad, B V Srinivas and A S Bhakthavathsalam. It was remade in Telugu as Manchivadu, in Hindi as Humshakal and in Tamil as Oorukku Uzhaippavan.

After commiting a terrible crime by accident, siblings Joel and Ana decide to escape to a new life to avoid consequences, needless of a forgiveness they would never be given.

Arriving Late

Deep in the underbelly of New York City, a five year-old girl and her mother live among a community that has claimed the abandoned subway tunnels as their home. After a sudden police-mandated eviction, the pair are forced to flee aboveground into a brutal winter night. Determined to return home, they fight to find shelter as their world is thrown into chaos.

The happy home life of a high school student who lives with her loving stepfather is put in jeopardy by a painful family secret.

COMING HOME tells the story of Vik, a young Indian American man who returns home after his college graduation and struggles to reacquaint with his family.

Back Home Again is an ethical film that tells the story of two young intellectuals Feng Shibin and Zhou Wansen after their marriage to two country girls, Axiang and Lili

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.

The discussion between two brothers, Elías and Gabriel, will trigger a dilemma that will force one of them to make a decision.

Books vanish from a library. A daughter says goodbye to her mother. A writer struggles with Alzheimer's disease.

A family's palatial lifestyle and estate are stolen from them in an attempt to frame them for a crime they did not commit.