Welu De Fasli

A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts

In Jerez de la Frontera, Spain, tradition, memory and folklore, walk the streets on the shoulders of a people who proudly displays a legacy rooted in their culture for centuries.

In a small commercial harbour in the south of France, two Moroccan sailors are watching over ferries that were abandoned by ship-owners. Young Syrians make a stopover to load their cattle, African traders prepare a convoy of second-hand vehicles. Men, machines, and animals transit through this space open onto the sea.

Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.

Documentary about freestyle competition and hip-hop culture in Argentina.

This movie was released by the U.S. Department of Labor as a way to document those who were involved with the cleanup of New York City after the 9/11 attack on the World Trade Center.

Using local media footage from the London Borough of Southwark spanning the past 20 years, this documentary discusses complex social issues including gang violence, knife crime, and mental and sexual health.

An intimate portrait of teenagers trying to understand their world and their possibilities. The film weaves together video shot by teens and by the filmmaker, as they work together to make a film and create expressive outlets for youth in the community. They organize dances and community events and paint a mural. At the same time, with humor and pathos, these young people raise issues around violence, feeling misunderstood by adults and lacking respect in their community. Set in the small town of Sitka, Alaska, home to a large Alaska Native population, the video chronicles their creativity, concerns and dreams.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobilizing their community for a soda tax. Tested during their fight for the right to vote, the young recruits dare to beat back the goliath soda industry and ignite a youth-powered movement for health equity and justice.

Is it anyone's business if consenting adults want to pay or accept money for sex? Sex worker and author Maggie McNeill tells her startling tale about the persecution of sex workers based on the false assumption that most of them are exploited victims of pimps and traffickers. Her movement is challenging these assumptions and the powerful political and cultural forces behind them.

A Europa é um Jardim

Irama Betawi is the name of an ondel-ondel group that still actively busks in Jakarta. Sometimes they busk on the streets. Other times, they are invited to play on special occasions. Through their journey taking public transportation to move from one corner of the city to another crowded corner, we get to know the day-to-day life of a dynamic group of people who are eager to make a living.

Joko Supriyanto is a high school student in Yayasan Pendidikan Anak Luar Biasa (Special Needs Education Foundation) Cepogo, Boyolali--a foundation that facilitates education for the children with special needs. Joko has visual impairment that disables him to see normally.

This short documentary is a tribute to the unknown father. Emerging filmmaker Danic Champoux poses the question "How many men still have to uproot themselves and leave their families to get work?" as he sets out to search for his own father. He wonders about these men who are labourers, itinerants, and mostly nameless, but who are all exemplary providers. But at what cost? This film was produced as part of the Libres Courts collection of first-time documentary shorts.

4, April, 2014. Worker's who worked in "SaengTak" are get to the struggle to require adjust of working environment for safely food, and guarantied a Three Right of labors. Then. Worker's tried to record there's own struggle and launch forth to street, However, Law, Capital, unconcern of crowd and avoid of famille are swallow up them.

Des Rives

In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.

A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.

Exploration of the ordinary lives led by women of different classes—a college professor, an unmarried woman, and a seasoned drama artist. They unveil the societal intricacies woven into their social backgrounds, with typical evening talks besides them. Gripping tales of yore immersed in the metaphorical embrace of their surroundings, their familial shelters are emblematic of resilience and protection, where profound truths lie hidden within the depths of the commonplace.