Last Full Show

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

A young actress lives with her alcoholic father. One night, she goes to the theatre for a rehearsal of a melodrama play.

It's Easter time in Crisper County and cable news reporter Marlee Meade (Petunia Rhubarb) is hunting for a way to help others. On a tip that the old town theater will be shut down, Marlee cooks up a plan to save the stage and make a difference through the power of musical theater! With a cast of costume-clad townies, massive props and a 20-foot robot rabbit - "Up With Bunnies" is hatched! There's only one thing missing - the star of the show! When news spreads that singing sensation Cassie Cassava (Melinda Dolittle) is arriving to perform in her hometown church's Easter service, Marlee gets worried. Concerned about the competition, she schemes to steal the starlet for her own pageant! But when things go haywire, will it be curtains for Marlee's dreams - or will she discover the true meaning of Easter and what helping others is really all about?

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Pegeen Flaherty’s life is turned upside down when a young man walks into her pub claiming that he’s killed his father. Instead of being shunned, the killer becomes a local hero and begins to win hearts, that is until a second man unexpectedly arrives on the scene...

A new staging of Christopher Hampton's celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin. Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path. Filmed live at the National Theatre, Marianne Elliott directs this thrilling game of love, lies, and social warfare.

This is a fairy tale about a girl who just lived and was, and about a boy who just lived and was. You may recognize yourself in these stories, but all coincidences with real people are accidental.

During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.

In Jean Rouch's cinematic reinterpretation of Julius-Amédée Laou's theatrical work, a freshly appointed nurse steps into the chaotic world of a psychiatric ward. Tasked with nurturing the minds within, she forms a profound connection with a patient from Martinique who has been confined within the institution's walls for half a century. As their relationship deepens, the lines between reality and delusion blur, weaving a complex narrative of human connection and psychological intrigue.

Enda Walsh's play Misterman, written for a solo performer, is a study of one man’s descent into religious mania in small-town Ireland.

A sequence of musical scenes that define a tender and romantic story, typical of a fairy tale: that is what the theatrical version of Flinderella, which took place in 2004 at the Teatro Gran Rex, is all about. In this version full of fantasy, Greta tells a story to Tomás, a boy who is in his bed sad and without anything to cheer him up. The story tells the love story of a poor girl who lives on top of a train and a rich prince who lives in a palace. Despite class differences and the evil Delfina, love between Flinderella is possible. She is rich in dreams and poor in gold, he is rich in money but does not know how to smile. Flor Bertotti, Juan Gil Navarro, Benjamin Rojas (here a guide who leads Flinderella through the path of dreams) and all the cast of the novel.

Flinderella lives in a terrace and that's her world... A sad, dark, cold and lonely place that is transformed into a magical space, thanks to the light of our heroine's soul. Alongside her live her guardians of the heart: a magician, a fairy, an angel and a jester: they help her, accompany her and give her strength when she feels lost. Her joy and her ability to feel and dream make Delfina, her sister, hate her, envy her and try to destroy her. Delfina has everything that can be bought with money and lacks everything that comes from the heart. Such is the strength of the soul of our “Princess of the Terrace” that she manages to reverse Delfina's superficial and frivolous world. In this terrace love arises, since Max, a writer who lives nearby, manages to see everything that happens in the house of the evil Delfina and in the dome of the sweet Flinderella. A new tale with a great love story.

A group of theatre performers travel to London and put on a production they hope will repair cultural divides between India and Pakistan.

La Audición

Michael Morpurgo's heart warming story of a champion Chelsea footballer set against the backdrop of the Second World War.

Production troupe Golden Grand Piano brings the Shakespearean classic tragedy about a Scottish lord’s kingly unchecked ambitions to the screen.

Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it's all part of a scheme orchestrated by bitter ensign Iago. Filmed live at the Theatre Royal Haymarket in London especially for the big screen.

L'opéra

Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.