If You Call Me Eveline

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

The 2024 Senior BA students would like to invite you to a Playdate!! Bring your blankets, stuffed animals, and pillows as we celebrate the path that got us to where we are!

During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.

Unable to tap into his emotions on stage, a middle-aged struggling actor is given one last chance to prove himself, and in turn, takes a class with an acting coach who promises to transform his performance.

Sophia struggles with overthinking her life as a poor, nihilistic drifter. Exiled to a life of solitude, she has the chance to change it all upon meeting Liza one night... Did she let her in or was she destined to burn it all? The aftermath of their breakup is explored through three different angles.

Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

Luca, a careless high school student on the verge of failing, drifts through life in the outskirts of the neighborhood with indifference and apathy. As his last chance for redemption, he must take part in a theater course. The challenge lies in avoiding the mistakes of his past, while discovering what it truly means to grow and take responsibility.

Nina, a young actress who finds herself in an emotional turmoil during her opening night, struggles with a rehearsal that challenges her limits.

Lee McQueen, alone and troubled in his beautiful townhouse, is trying to come up with his new collection. He must pitch to his investors the next morning, but he’s got nothing: inspiration has deserted him. Dahlia, a mysterious young woman, breaks into his house. She wants to steal a dress but also to escape from her own troubled life. As McQueen is about to call the police something in her raw honesty, her boldness, intrigues him. He changes his mind, puts down the phone. (Filmed at the St James Theatre, London, in May 2015.)

Le visiteur

A Theater student named Laras witnesses her friends rehearsing for a performance. At the same time, Laras is in the middle of conflict with someone from her house hold

‌‌‌‌‌‌‌‌‌‌ ‌‌‌‌‌While performing the role of Oedipus on stage, a string puppet decides to break the cycle and not simply accept his fate. In doing so, he defies his creator, only to realize that the creator is but a mere creation herself.

Kelly surprises Nancy late one night when he returns unexpectedly to the cold dark stage of an empty theater where they are currently in rehearsals for a stage play, a murder mystery. Kelly and Nancy have a lurid and salacious history as actors and lovers. He's come back to pick up a script. She's there to meet her husband the playwright. They're surprised to discover new props litter the stage; a real dagger, a loaded revolver and a blood-stained playing card, a Joker. As certain events begin to unfold, the reality of this “play-within-a-play” leads to a deadly finale where they find themselves caught up in a web of lies and deceit. And someone may pay the ultimate price in a deadly finale! Joker's Wild pays homage to film-noir, an 'Agatha Christie like' one act, a murder mystery that also has some fun referencing the post war classics. And was a festival favorite seen at various film festivals, broadcast on HBO and others, and won various awards such as a CINE Golden Eagle.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

A filmed recording of a performance of the stage play “Femmes en Colère”, based on the novel by Mathieu Menegaux.

L'opéra

When melancholic construction worker Dan finds himself drifting from his wife and daughter, he discovers community and purpose in a local theater's production of Romeo and Juliet. As the drama onstage starts to mirror his own life, he and his family are forced to confront a personal loss.

Pegeen Flaherty’s life is turned upside down when a young man walks into her pub claiming that he’s killed his father. Instead of being shunned, the killer becomes a local hero and begins to win hearts, that is until a second man unexpectedly arrives on the scene...