When an unattractive man gets engaged to a beautiful woman, their families oppose the union and the priest set to perform the ceremony is kidnapped.
Lisa Lampanelli's shocking and hilarious appearances on television from "The Tonight Show" to Comedy Central roasts have made her the hottest comic in the country. Now her second Comedy Central special, "Dirty Girl," is presented on CD and DVD. "Comedy's Lovable Queen of Mean" (New York Times) gets down and dirty on Dirty Girl "No Protection," and it is filthy funny.
A satire of life in modern Greece, presented through a series of different stories about sex. There are several couples and their relation with sex in parallel stories that come together in a hilarious way.
Unperturbed by the disastrous outcome of his previous meddling with the dead, Dr. West continues his research into the phenomenon of re-animation; only this time, he plans to create life – starting with the heart of his young protégé Dan's dearly deceased Meg Halsey.
Documents the daily lives of a small community of the living deceased who make their home in Los Angeles.
In the middle of a reality game, Young is tested by Peregrina to question her world as a fictional character, but things get out of control and everyone (Director included) falls into a crisis when they realize that they are fantasy. of "someone else."
A has-been clown must regain her fame by performing a final, sinister act.
A wealthy society doctor decides to research the medical aspects of criminal behaviour by becoming one himself. He joins a gang of thieves and proceeds to wrest leadership of the gang away from its extremely resentful leader.
After a team of surgeons botches his beloved wife's operation, the distraught Dr. Phibes unleashes a score of Old-Testament atrocities on his enemies.
The reunion of a woman and her estranged daughter is interrupted by a man with an unusual request.
In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.
The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.
A king hides an embarrassing secret - and it causes him to execute every barber who cuts his hair.
With their women having been enslaved by a pack of lesbian vampires, the remaining menfolk of a rural town send two hapless young lads out onto the moors as a sacrifice.
A series of Gary Larson's "Far Side" gags are turned into short animated gags, such as a Frankenstein cow; an insect airline's in-flight movie; deers, hunters, and ufos; wolf home-movies; egg horror flicks; and cowboys & aliens.
Junior and his father, Ben, move from Cold River to Mortville. Junior becomes threatened by Ben's desire to date again and find a new mother for Junior, and sabotages each of his dates.
Now a pre-teen, Junior has fallen head over heels for a classmate who doesn't even notice him, but does notice three other boys – a child star, a hockey player and a Boy Scout – who are rivals to Junior. This means war!
The various faces of youth and people in an enclosed space of a convenience store for 12 hours.
The antihero "Mr. Karl" tells a "young person", the viewer, his life story while he sits at work in the warehouse of a delicatessen. The narrator increasingly turns out to be an opportunistic follower from the petty-bourgeois milieu, who maneuvered his way through life in the changing course of Austrian history from the end of the First World War to the end of the occupation in the 1950s.
In a strange place where daily broadcasts require everyone to “keep the silence”, the long-isolated residents of Edifice 129, trapped in their apartments and by distant memories, creep forwards, day by day. / Edifice 129 is a particular collaborative project, created by filmmakers across three countries. In the midst of the COVID-19 lock-downs, Linda Gasser — director of the Arc Film Festival in Mainz, Germany — invited filmmakers to join her Creatives Across Borders initiative. The aim was to meet via Zoom, support each other, and talk film, but talking film soon turned into developing a film. Meeting regularly, sometimes weekly, four writer/directors and a digital 3D artist created short films designed to work both as standalone projects and, when inter-cut, as one cohesive story, despite being filmed in Germany, the UK and Malta, and with the filmmakers never having met in person until after the films were finished.