História de Amor em 16 Quadros por Segundo

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

This documentary explores an unknown civilization of the Brazilian Amazon, who risk their lives to protect their forest. In order to save the exploitation of the environment by big corporations, they have to create legal institutions.

Documentary about the heavy rock scene in Pernambuco.

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

Nunca Mais - o filme

Charlie Chaplin, The Tramp. In this documentary, we will take a look at the life of actor and director Charlie Chaplin, and talk about his films and hidden symbolisms.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

Chico Science e Nação Zumbi - Especial MTV

Entre Muros

Documentary on the rise and fall of the Danish silent film industry.

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

The epic and poetic tale of the early years of Italian cinema, from 1896 to 1930: how peplum was born, how the first stars shone, how many daring filmmakers were able to create an original style amalgamating literature, theater, painting and opera; a tale of splendor and decadence.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.

Early film of men rowing on two boats.

Muitos líderes em democracias erraram na pandemia. Ninguém errou mais que Bolsonaro.

Esquecidos: crise nos anos finais do Ensino Fundamental

Brechó Brasil

asking people on the street to take a seat in front of his camera in a big white tent. He offers them three real (about one euro) for three minutes of their solitude. The tent is located on a square in Recife, a large Brazilian city. people smile stiffly, wave, make the sign of the horns, defiantly lick their lips, or shed their tears.

London After Midnight (1927), directed by Tod Browning and starring Lon Chaney, is the most sought-after lost film by fans of fantastic cinema. Has this mythical treasure finally been found in an old South American cinema?