Let Me Tell You A Secret

Three unlikely individuals attempt to escape the dark prison known as "The Void."

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

An accounting of dreams I’ve had while filtered as a D*sney cartoon.

A woman attends a party where she is observed by and finally meets a mysterious guest.

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

"Heart-wrenching cry about the physical suffering caused by the AIDS plague being compounded by the shameful arrogance of self-appointed moralists."

This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.

An experimental feature film in seven parts following the rise and fall of a relationship over a year across the world as represented by two stuffed animals and an improvised combination of home videos, music, and poetry.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

A field full of sheep is observed through the camera, preserving that moment in time forever.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

By subjecting fragments from the film 'Rashomon' by Akira Kurosawa to the mirror effect, Provost creates a hallucinating scene of a woman's reverse chrysalis into an imploding butterfly. Papillon d'amour produces skewed reflections upon love, its lyrical monstrosities and wounded act of dissappearance.

A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.

A sleeping man’s fading memory of his late Mother unravels through a recurring, hypermnesic dream that reverberates and transforms throughout his life, tracing from his final dream back to his first.

Ken Jacobs applies his patented Eternalism process to 3D images he took of Jackson Pollock's 1954 splatter painting.

A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

A suicidal teen develops a candid rapport with the student from Shanghai assigned to watch her in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship and alters their inner chemistry.

Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.

Experimental short film by Oskar Fischinger