I, The Camera

Going, returning; the anticipation of interruption.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

A tactile exploration of the inherent duality of violence and sensuality in nature.

In a first person shooter game leaked to the dark web, a group of mercenaries disguised with baby faces invade mansions of the wealthy and powerful with murderous intent. However, as gamers livestream the game, the protagonists’ gang of horrific murders may or may not be happening in real life.

Two robots embark on a quest to become human.

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.

Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.

A Documentary film, following a group of friends going through their college life. with 3 months of filming starting in August 25th to November 1st 2024. most of everything was filmed in Boston. the purpose of the movie isn't to look amazing and have great story telling, but instead its meant to stamp a period in time. so that in 50 years we can look back and notice the human growth in a movie format. I hope you like the movie and thank you for watching :)

Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.

Life is what we don't want it to be.

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

People-watching across lower Manhattan.

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

Laser’s hallucinatory investigative report explores Paris’s Pitié-Salpêtrière Hospital, widely considered the birthplace of modern psychology and neurology. Interviews with doctors, historians, clergy, and dance therapists reveal uncanny connections between the emergence of “hysteria” in 19th-century Paris and recent outbreaks of so-called TikTok tics.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

A short film structured as a triptych that aims to personify the city through its buildings and streets, to annihilate it. A political short film about every cities.

People leave (and return) from a church after Sunday Mass more than 120 years ago. The creaking of time and the darkness behind the ancient ritual of praying for our existence dance eternally, like a river of souls. Liz Taylor's visualy noisy reinterpretation of the film "Congregation Leaving St. Mary's Pro-Cathedral, Dublin" (1901) by the Edwardian filmmaking duo James Kenyon and Sagar Mitchell.

“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.