A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.
Social deprivation, mental illness, addiction, sexuality and drama abound when Jake abandons his wife and kids for Ethan, a young, gay, streetwise charmer. Jake struggles to hide his identity but things come to a climax impacting the hearts and souls of all involved.
John is an eighteen-year-old Latino male prostitute, living in the poorest area of Hollywood, L.A. He often steals condoms and medicine from the local stores to support himself, due to his inexperience in the hustling world. Peaches is a black trans prostitute, who often helps John financially. Miguel is an older hustler who teaches John how to please men. John often spends his night wandering through the street, looking for older men to buy him for the night. His clients, men who come from all levels of society, share with John their stories and secrets.
Having slept together for the first time, two teenage boys must make sense of their evolving relationship.
31 year-old Tristan remembers the time when he was 15 and had just hit puberty. But he is not alone in this, he is with a large group of friends: Specki, a fat kid who is always stuffing himself, Streusel, a cheeky boy covered with spots, Tümai, a pretty Turkish girl, Kerstin, best friend of Tümai and very sporty, Elrond, with a heavy stutter, but regardless extremely popular and good looking, Lars and Simone, so far the only couple in the class who spend most of their time smooching and Long Jana, a girl who is at least 6 foot tall and extremely skinny.
Eternal daydreamer Mel can't wait to quit her sucky catering job and fly to her dream destination: Portugal. Things change when the beautiful Jenny literally crashes into her life when Mel nearly runs her over in her classic BMW. It is love at first sight, however there is just one problem: Jenny mistakenly assumes Mel to be a boy. Despite this, the pair become boyfriend and girlfriend. With Mel attempting to disguise her true gender at every turn, her journey from tomboy to out lesbian is fraught with life-defining dilemmas and sweet surprises.
Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.
Bwoy follows Brad O’Connor who, after the death of his son, becomes entangled in a chaotic and passionate online love affair with Yenny, a young Jamaican man. With both Brad and his wife Marcia seeking solace in destructive ways, their lives and relationships are pushed to the brink, culminating in tragic confrontations that no one can avoid.
Just months before Jenn's 30th birthday she is dumped by her long term girlfriend, Frankie. With the help of a surprise house guest, Jenn sets off on a mission to get Frankie back.
An unsettling portrait of a destructive three night affair between two men - one is gay, lost and adolescent, the other is married to a woman and middle-aged. Set in the heart of Soho, a fracturing queer landscape, Nightstand is a whirlwind of repressed yearnings and urban loneliness.
Eight year old Paulie is happiest when dressing-up in his mother’s high heels and having tea parties in the garden. His father however would prefer him to be involved in more ‘manly’ pursuits and decides to take action. It is left to Mickey, a ferret with the cutest nose and the sharpest teeth, to sort out the men from the boys.
In 1970s Germany, Léopold, a 50-year-old businessman, picks up and seduces 20-year-old Franz, who swiftly moves into his apartment. The dynamic between them intensifies with the sudden arrival of their ex-girlfriends.
This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...
On the edge of Bangladesh, between mountains and water, stands a post-office, the only sign of civilization. It has a notorious reputation: its employees disappear. Two men, in love with each other, work there.
Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
When a talented new arrival begins using the local boxing club, Paris, a skilled fighter, is forced into an unexpected struggle with himself. A film about vulnerability in a hyper-masculine world that doesn't allow for it.
Caught between the traditions of his upbringing in rural Indonesia and his idealization of Western freedom, a teenager struggles with the expectations of imminent manhood.
Sergio answers 36 questions to make Gabriel fall in love. Did you know Glauber was a Pisces?
Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.