Breadline Kids

During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.

In the midst of a catastrophic steel industry collapse, a remarkable grassroots community effort leads to a national healthcare program that helps more than 200 million children...and counting.

In the mountains of Northern Thailand lies a boarding school. The students come from different tribes in the area and live together with their Thai teacher, grow their own crops and cook their own meals while continuing their education. The biggest question on their mind, having spent all their lives in the mountainside, is where the rivers running down the hills end. If they pass the final exams their reward is a trip to the end of the river, to the ocean itself. The children are poor, some orphans, and most of them only speak their tribe's language, but all try their best to pass the exams to be able to take the long-awaited trip. This trip is not only a journey from the children's villages to the ocean but also a journey that symbolizes the change from childhood to adulthood.

For the first time in history, mental illness and suicide have become one of the greatest threats to school-aged children. Many parents still view dangers as primarily physical and external, but they’re missing the real danger: kids spending more time online and less time engaging in real life, free play, and autonomy. What are the effects on the next generation's mental, physical, and spiritual health? Childhood was more or less unchanged for millennia, but this is Childhood 2.0.

Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.

Funny story of an unemployed metalworker, self-proclaimed Marxist, his views and whereabouts.

Augustus Northmore Welby Pugin is far from being a household name, yet he designed the iconic clock tower of Big Ben as well as much of the Palace of Westminster. The 19th-century Gothic revival that Pugin inspired, with its medieval influences and soaring church spires, established an image of Britain which still defines the nation. Richard Taylor charts Pugin's extraordinary life story and discovers how his work continues to influence Britain today.

DREAMING NICARAGUA is a film about HOPE. It's about love for the dignity and courage of the human spirit that, even immersed in uttermost tragic conditions, fights for a better life, and in this case, with a friendly SMILE. DREAMING is a sensitive and lyrical portrayal of four children living in extreme poverty in Nicaragua. The film takes us beyond their hardships and gives voice to the youngsters, who are surprisingly funny, hopeful, and optimistic. A traveling art teacher provides a safe arena for our four unlikely protagonists to express their innermost thoughts. When painting, the kids momentarily escape the stresses of their reality into a world of dreams and ideas, a stark contrast to their lives outside: a vicious cycle of hunger, child labor, and violence. Despite the extreme circumstances, the children and their families face their lives with an inspiring unity, strength and humor.

Professor Alice Roberts discovers which are Britain's most popular fresh foods and uses the latest science to uncover the surprising health benefits of our favourite foods.

Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.

This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

War - Documentary film depicting the attack by Allied forces on the Japanese strong-holds of Arawe Beach and Cape Gloucester, New Britain, in the South Pacific theatre of the Second World War in 1943. - Leo Genn, Burgess Meredith, Anthony Veiller

These are the future leaders of their communities. Ever wonder what it’s like to walk a day in their shoes? How the world looks through their eyes? We were curious. So, we asked them.

The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.

J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?

In the 1950s, Seattle had plans to build one of the densest networks of freeways in the world. It would have displaced thousands, especially the poor and people of color. Over the next two decades, a broad coalition of communities came together and halted these plans. Testimonies from that era are juxtaposed with interviews of activists who participated in the revolt, giving a picture of what Seattle could have been had the people not stood up to the highway lobby and their representatives.

A film about the cross coalition of communities that stopped a planned network of freeways from being built in Seattle in the late 60s and early 70s. It weaves together archival material with the filmmaker's personal narrative about living next to freeways, and features interviews with participants from the freeway revolt.

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.