O Mel é Mais Doce Que o Sangue

In SUNSPOTS, several 16mm shots of the sun are layered and superimposed, paired with a soundscape consisting of volcanos, fire, plastic and the audible solar sounds recorded by the Solar and Heliospheric Observatory (SOHO).

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

A boobs flasher tells us, a boobs flasher lets us see.

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

Persona non grata

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

According to an English legend, Joan of Arc never died at the stake. Her eyes were seared with hot pokers and she was deflowered by an English stud. She was then sentenced to wander on the battlefields, like a vulture, on the look-out for life and searching for any virgins left alive.

A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.

Proyecciones del Limbo

Experiencing unexplained blackouts, an ex-military alcoholic desperately tries to stop them to save his marriage, only to discover they are triggered by a trauma his mind is fighting to forget.

In Arnarstapi (Iceland), during a cabaret number, a mistress of ceremonies proposes to us a journey into the center of her organs to go and meet the original being. During the journey, the public enters into a trance to reach the ecstasy.

A film essay loosely based on LIMITE (1931) and TRICÔ E PITANGAS (2011), shot during film production classes.

A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.

A women takes a journey that questions the boundaries of reality and what is an illusion.

A painter and model journey through time and space in a 1989 Mercedes Benz 300E. Attempting to paint the perfect portrait, their relationship and reality is stretched to the limit.

A man living alone comes face to face with an unholy presence that stalks his every move.

Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.

Visual haiku dealing with still and living life, ghosts and revealing light.

A bleak, cryptic vision of life in contemporary Iran that eschews overt social commentary in favour of a very personal vision of stifled lives. Directed remotely by Rashidi from Ireland over Skype, the making of this unique film reflects the alienation it so compellingly portrays.