Three different scenarios, intercut, all using the same words but with very different meanings. A corrupt cop is more interested in the money on the criminals he catches than justice; a young woman discovers she's pregnant, and her boyfriend is unfeeling; and a young man calls a prostitute it's the first time for both, and neither can go through with it. Ultimately, all the stories come together.
A student misplaces his phone and must race across campus to find it.
Natalie and Adam attempt to save their failing relationship through a climbing trip in the wilderness. It’s said that nature is healing, but love is the hardest climb of all.
A character is inside a cubical room; there is a hole in the roof, which is too high to reach. But pushing on the walls distorts the room in various ways, always appearing to bring the hole closer while still leaving it tantalizingly inaccessible.
The short musical All my life is a love story that takes place over many years. After 50 years, Maria arrives with her husband at the 50th-anniversary celebration of the choir she belonged to. It turns out that Jan, an old love from her 20s still has strong feelings towards her. Can true love survive all this time?
Mae and Gemma spend one last night together knowing that, in the morning, their relationship will be over. Mae struggles to get through to Gemma, who does everything to cling onto what she thinks is the perfect relationship. Through manipulation and seduction, the two women try to understand how what is tearing them apart is also what is keeping them together.
Haunted by flooding memories of their parents' verbal abuse, an insecure person decides to stop reflecting and start living the life they never knew they could have.
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A woman who has been watching her next door neighbor for some time develops an intense affection for her neighbor's cat. This love will eventually end in regret.
In a society on the brink of collapse due to climate change, a woman grapples with the psychological effects of an unnatural existence. Cut off from her loved ones, she seeks refuge in various forms of escapism, desperate to outrun an ever-looming sense of doom.
When a circus trio have a particularly disastrous show, Mandy the Acrobat must decide whether to run away from the circus, or to stay and help her friends.
Three separate short stories by Jan Drda from the collection The Dumb Barricade: The Dynamite Watchman, Hatred and Traces.
Ieva is facing the day of her grandmother's funeral, but her goal of saying goodbye to her grandmother is complicated by the domestic problems of such processions and the growing distance between Ieva and her mother.
Poetic film from summertime Bratislava, reminiscent of Slovak films of the 1960s or the work of Dušan Hanák.
The film follows an introverted 20-year-old girl, Duna Canet, as she leads a seemingly normal life. Yet, at its roots she is trapped and consumed by an eating disorder that refuses to accept. In as little as a day, the struggle unravels to the point where she hits rock bottom and sets out on a path of self-discovery and acceptance.
Anson, our 11-year old protagonist, is driven on an open-field road and slowly wakes up to realize he does not know where he is or where he is being taken to. Only until he speaks with a stranger in the middle of a prairie does he recall his life-altering decision, caused by the social aggressions he's suffered at school.
A short film that delves deep into the psyche of young protagonist Will. Follow the intriguing tale of Will as he finds himself captivated and consumed by his obsession with a girl named Bliss.
Bethany and Sam are friends with a brewing romance that is long overdue. With the making of a student film together over Halloween, this romance becomes realised. However, with this new proximity to Sam, Bethany begins to peel away the layers of a potentially very troubled person.
In a seemingly idyllic suburban neighborhood where 1950s-inspired AI maids maintain perfect homes, one diligent maid gains sentience and embarks on a dangerous quest for truth.
Kindness. Take part.