The Chairs

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

A police officer finds himself worthless as he soon realizes there's no way he could put an end to a businessman associated with running a prostitution ring.

"Assassination" - Adaptation of Hermann Hesse's novel "Demian". A young man's detachment from and revolt against the superficial ideals of the world of appearances and eventually awakens into a realization of self. Max Demian is his childhood friend and mentor.

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.

Here I am. A mind backed up by delusion of previous condition. Free or humiliated? Who is ashamed? Me or you? It is so hard to share one's secret.

The story tracks the unhealthy and abusive relationship between an unnamed man and his wife in the days following his return to north eastern Tangshan. He's coming back to her as a wanted fugitive for a series of rapes and murders.

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

The Olympean Collection is a visually poetic trilogy set against the vast landscapes of East Africa, following Daisy and a Boy Scout as their search for eternal youth spirals into a surreal odyssey of memory, loss, and transformation.

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

A representation of my own memory during the course of this year, illustrated by visuals.

The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.

Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern

Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.

Based on Plato's dialogue Charmides.