The World Is Not a Landscape

Two actresses, Béatrice Dalle and Charlotte Gainsbourg, are on a film set telling stories about witches.

Chopin "Nocturnes" accompany this study in black and white inspired by Huysman's decadent novel "À rebours".

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

The story about Chornobyl area, all around the world we know of the disaster in 1986. The film may be called a guide to the Exclusion Zone. Thanks to the unique footage from the place of the tragedy, that the crew succeeded to capture, the viewers will have a chance for a full immersion into the atmosphere of the events and, along with the heroes of the film, feel the dreadful and amazing air that reigns where one of the major anthropogenic disasters took place.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

In this avant-garde classic, protagonist Louise deals with a change in her lifestyle in which she must learn to negotiate domestic life and motherhood.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

The first love between two very different characters is the prism through which we are shown the point of view of the film-makers who denounce war and plead for simple human happiness.

Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

A woman rocks a cradle; a man comes to land from the sea, but leaves to view it from a distance.

A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.

An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.

A man’s female friend who just came back from London spends time on the river shore.

This short film made by László Moholy-Nagy is based on the shadow patterns created by his Light-Space Modulator, an early kinetic sculpture consisting of a variety of curved objects in a carefully choreographed cycle of movements. Created in 1930, the film was originally planned as the sixth and final part of a much longer work depicting the new space-time.

The life of Ukrainian-Soviet avant-garde composer Alexander Mosolov inspires three stories about creation and individualism in the face of state power, set against the Great Purge of the 1930s and the ongoing Russian invasion of Ukraine.

In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.