Documentary about human impact on the world.
Forget all you have heard about how “Renewable Energy” is our salvation. It is all a myth that is very lucrative for some. Feel-good stuff like electric cars, etc. Such vehicles are actually powered by coal, natural gas… or dead salmon in the Northwest.
Dr George McGavin and Dr Zoe Laughlin set up base camp at one of the UK's biggest sewage works to investigate the revolutionary science finding vital renewable resources and undiscovered life in human waste. Teaming up with world-class scientists, they search for biological entities in sewage with potentially lifesaving medical properties, find out how pee can generate electricity, how gas from poo can fuel a car and how nutrients in waste can help solve the soil crisis. They follow each stage of the sewage treatment process, revealing what the stuff we flush can tell us about how we live today, and the mindboggling biotechnology being harnessed to clean it, making the wastewater safe enough to return to the environment.
In Lopera (Jaén), the ecological transition has turned into a nightmare: centuries-old olive groves are being uprooted to make way for massive photovoltaic plants, in an unfair battle between powerful corporations and the local community. Through firsthand testimonies, striking visuals, and an analysis of the current energy model, Forced Renewables reveals how progress, when poorly planned and disconnected from rural life, can lead to an unprecedented ecological, social, and economic disaster.
A panoptic film on water, energy and climate, SunGanges (SuryaGanga) is a wild and intense ride three filmmakers take across the vast Indian landscape in an attempt to connect the dots between vanishing rivers, massive energy projects and the quiet rise of renewable energy.
Sixty years ago, the Canary Islands were the first in Europe to adopt desalination of ocean water to produce drinking water. Often considered a miracle solution, is this technique compatible with sustainable development?
A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”
«Energy Pioneers» portrays two visionaries and their fellow campaigners as they fight to solving one of humanity’s most challenging problems. A film about obstacles, crises and the power of an idea.
Since the Taliban returned to power in August 2021, Afghanistan has drawn growing international attention for its enormous reserves of rare earths and strategic minerals essential to the global energy transition. The country is believed to hold more than €1 trillion in resources, including copper, lithium, cobalt, iron, uranium, chromite, mercury, and rare earth elements, as well as valuable gemstones and gold. Often described as the “Saudi Arabia of minerals,” Afghanistan has become the focus of a geopolitical race for supplies. While Europe and the United States remain hesitant to engage with a regime accused of serious human rights abuses, countries such as China, Russia, Turkey, Qatar, Pakistan, and India are already positioning themselves in Kabul to secure access to these critical resources.
Offshore wind farms are a major player in the move away from fossil fuels, especially in the North Sea, and they are increasing in number. But their impact on the environment is not yet clear: We take a look at ongoing research in Europe that is measuring the impact of wind turbines and their harm, or benefit, to biodiversity in our seas.
An overlooked engineer is sent to Alaska to scope out an eccentric scientist's claim that capturing lightning can be a new source of renewable energy.
To stay below a 1.5 degree increase in global temperature, we must leave between 60 and 80% of fossil fuel reserves in the ground. Which energies should be preferred to replace oil, gas and coal? Renewable energies or nuclear energy?
Go Like The Wind
The video explores the issue of energy as a critical factor for the development of life conditions, at the same time energy is the reason for wars of power, environmental disasters, and economic monopolies. People suffer passively from this system and go on its path suffering the weight of political choices. Only renewable energy can save the earth and human being from collapse and become the new symbol of contemporary passion.
Voyage au Tibet Interdit
Both during and after pregnancy, yoga is a perfect way to firm your body, build strength, and gain flexibility. These two yoga practices, filmed in a serene garden overlooking the Pacific Ocean, are also a wonderful way to maintain emotional balance and reduce stress during the exciting and often hectic times surrounding the birth of a child. In the prenatal sequence you'll practice safe and simple movements intended to strengthen and tone your body at any stage of pregnancy, while providing relaxation that will help create a luminous space in which your baby will thrive. The postnatal sequence is designed to redefine your body, restore your energy, and help you reconnect to yourself and your own wellness.
Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.
Shot in Cincinnati, Making Morning Star presents a behind-the-scenes look at the joys and challenges of developing a new American opera. Featuring interviews with composer Ricky Ian Gordon, librettist William M. Hoffman, and director Ron Daniels, the film captures the delicate collaborative balance of personalities during an intense workshop hosted by the Cincinnati Opera and the University of Cincinnati’s Conservatory of Music
Through the portrait of Alain Emery, who in 1953 embodied the child of the film 'White Mane', directed by Albert Lamorisse, this film is a tribute to the Camargue, its winter light, its peculiar rhythms to the men and women, guardians, bull-breeders and fishermen who give this land an incredible wild beauty. Returning to the scene of filming, this film goes in search of the poetic force that flows from end to end in Lamorisse's film.
A documentary about Emma, a 50 year old Mexican multimillionaire race car driver