Woman of the Metropolis/Juli in Central Park

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Upon becoming aware of an ancestor guilty of several cruel acts who bore a striking resemblance to himself, a man begins to fear he too could be capable of similar sadistic deeds.

Purple Leone is an experimental short film exploring how trends emerge and spread across the world. Through a blend of visuals and sound, it reflects on influence, identity, and the subtle forces behind global culture. A quiet, atmospheric look at what drives what we follow.

Matarile

Prince Philip, who longing to be with a prince of his own, must decide to follow the traditional tale or forge his own happily ever after.

A university professor, mistreated by his wife, falls in love with a student who makes fun of him and also scams him.

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

A former football star turned real estate broker meets with rich, spoiled young Billy to close a deal on a mansion, and nothing goes according to plan.

A weekend in the city park is meant for recreational activities. During a twenty minute period, several men seek out a way to pass their time at a cruising spot located in the heart of a small peninsular grove.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Yukari Nishihara, 25, earns her living as an art model and aspires to become an actress. One day, while she was out, she saw “a man's face about to jump off the roof of a building”, and since then she has been suffering from a peculiar constitution: she sees a suicide while on her period, faints, and develops a fever. The goddess of love does not smile on Yukari, who is unable to become a sweet girl with a nice boyfriend. The only things that can save Yukari now are her best friend Hana, who has a keen intuition, and a suppository that can break a fever in one shot. On the day of an important audition, Yukari has decided that this is her last chance. However, Yukari realizes that she has forgotten her antipyretic suppositories, and her eyes meet those of another soon-to-be suicide victim. She is in a desperate situation. What does Yukari do?

Rascal. Joker. Dreamer. Genius... You've never met a college student quite like "Rancho." From the moment he arrives at India's most prestigious university, Rancho's outlandish schemes turn the campus upside down—along with the lives of his two newfound best friends. Together, they make life miserable for "Virus," the school’s uptight and heartless dean. But when Rancho catches the eye of the dean's daughter, Virus sets his sights on flunking out the "3 idiots" once and for all.

The Listener

An American student in Seoul, South Korea uses his skills as a spy to stop foreign agents and local gang members from gaining access to a supercomputer that can connect to anyone and anything.

TRAJECTOIRE

In a small town on the countryside, every young boy is forced to have the same bowl-head haircut known as the "Yoshino-gari" hairstyle. Then one day, a drastic change occurs when a transfer student with bleached hair comes from Tokyo.

From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.

Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.

Inside a bathroom, a woman dissolves. Not into water—but into identity. Set in an oneiric, liminal space, this experimental short dissects the most banal of routines—eliminate, change, wash—and refracts them through the prism of identity. What do we flush away, what do we conceal with powder and polish, what residue do we scrub from the self? The film doesn't offer answers. It exists in the space between viewer and image, where meaning is slippery and selfhood runs down the drain.