Let's Take A Trip

Set in the 1990s in the competitive world of high school cheer-leading, Soula defies her father's dream for her to take over the family souvlaki business and finds herself chosen to lead her team to victory despite being a complete novice and far from the stereotypical cheerleader.

Mila, an eleven-year-old girl, faces her last days of life before the end of the world. At the same time, she struggles to understand what this means and to keep her family together by holding a party for the final moment.

A tormented painter, consumed by grief, begins a surreal journey after a visit from his partner. Through symbols and inner trials, he finds the strength to embrace transformation.

Five years after their late brother's death, three siblings reunite in their hometown to celebrate her birthday with their 7-year-old niece who no longer remembers her existence.

When Papi, Chloe, the pups, Uncle Pedro, and their owners move to a hotel, the smallest pup Rosa feels like she doesn't fit in, and Papi wants to make her feel better by showing her how special she is.

Gasolina

Grandfather Fuyukichi Takano, a former university professor, gets fired from his museum job when he is affected by Alzheimer's disease, but his affliction serves to deepen family ties. Japan's submission to the 58th Academy Awards for the Academy Award for Best Foreign Language Film

Claire is single, childless and Irish. As the only daughter in the family, she is pressured by her brothers to leave her life in London and move back home to care for their mother.

After being drafted to a pro track team, a midwestern young teen needs to decide between his future career and his dementia-ridden grandfather.

In De Nestvlieder, Cor - a nest keeper - has been caring for his disabled mother Teuntje all his adult life. When his sister Hennie - who is on sabbatical - comes back to take care of their mother as well, Cor's life, which consists entirely of fixed patterns, gets upset.

Ya nunca será

A young pregnant woman enters the freezing Danube with the intention of preventing her child from being born. The attempt fails, and Hajni is born; we follow six different moments from her life.

The true story of a young teenage girl whose mother is incarcerated for murder. Living in a Catholic Children's home run by an order of nuns, she provides poignant commentary about her mother, her own situation and her outlook for the future.

A dysfunctional family gathers together for their first Christmas since the death of their matriarch.

A vlogger's bid for virality leads her to experiment with a depression-inducing pill, all while she grapples with the aftermath of her fractured relationships.

A former child star spirals as he becomes convinced that the people he loves most have been replaced by impostors. This listing represents an early 2025 production version of Occam’s Beard that was later withdrawn from active production. Following the withdrawal of that version, the creator returned to the original treatment and developed an entirely new screenplay from the ground up. The new screenplay received Best Short Screenplay honors at the Big Apple Film Festival (2025), along with recognition from multiple international screenplay competitions, and as of May 2026 is shortlisted for the Cannes Film Awards.

With Caine gone and the circus dark, the cast are left with only the mistakes and traumas of their pasts to keep them company. As the prospect of eternity closes in around them, they discover the truth about the Digital Circus and its history. Will they come to terms with what they uncover, or will they make... the other choice? Also, presumably at some point someone says something funny, because this ending can’t be THAT depressing, can it? A theatrical screening of episode 8 and the all new, hour-long episode 9.

A mother and her son arrive at a remote seaside cottage to celebrate his eighteenth birthday. A cottage they have not visited for many years now. Over the course of a weekend, they seek to find a connection with each other once again. But a connection that they may have ultimately lost forever.

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

A young painter caught in the vicious cycle of creativity must overcome her innermost turmoil.