Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."
The first half is a salute to John Wesley Powell, the first man to explore the Colorado River. Walt Disney presents a behind-the-scenes look at the filming of Ten Who Dared on the same waters. Then the True-Life Adventure Featurette: Bear Country is shown.
What do the Japanese see in Canada? What's the magnetic pull from the Far East? And what's our take on this land of ours? Bolstering our feeling of national pride comes naturally after watching the Japanese embrace the country. The film follows Masaaki Kagami, a Japanese transplanted in Alberta. He specializes in making souvenir videos for Japanese tourists. HO! KANADA is an investigation of national stereotypes. The film records the way the Japanese see us, and how we see them and ourselves.
A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.
Hollywood is perhaps the most elusive animal. "We Want the Airwaves" follows three first time TV makers who set out on the ultimate adventure: to change television as we know it. The trio creates, films and pitches their advocacy docuseries masterpiece, "Manifesto!" all over the world, with the goal of giving a broadcast voice to a generation.
Video diary from behind the scenes of 2002's "Cruise of the Gods."
The story of one of the great environmental disasters to befall the United States, and the terrible movie that helped bring the catastrophe to light.
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
Making-of documentary about Lino Brocka's 1975 film "Manila in the Claws of Light," featuring interviews and behind-the-scenes footage.
Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.
Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.
For decades Italian genre cinema dominated the world and before changing beyond recognition it went to unthinkable places. Giants don't die quietly however and this is the story of an industry's most absurd, extreme, blood-soaked fight for survival. Through dozens of brand new interviews, and never-before-seen archival materials, with the men and women who were there during one of the most unique moments in film history, MASTERS OF MAYHEM tells their stories of scandal, contradictions, drama and outrage.
The film shows the behind-the-scenes process of making a documentary about an author known for their autofiction stories. By including its own behind-the-scenes footage, it mirrors the author's storytelling approach, blending the documentary’s creation with the author's narrative technique. In this way, the relationship between reality and fiction is questioned.
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.
A young boy overcomes challenges set before him in pursuit of his love for creating art.
This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
A brief look at the history of "Homicide: Life on the Street", one of the best shows on television and its ratings history as well as some of the people on the show, as well as behind the camera. The primary focus of this PBS documentary is the "Subway" episode which aired on December 5, 1997 on NBC. This two-hour documentary follows the "Subway" episode from conception to award nominations.