Stains

Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.

Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.

A newlywed fears she's going mad when strange things start happening at the family mansion.

Two robots embark on a quest to become human.

"Tarantella" was an early Super 8 short film directed by Christopher Nolan with his childhood friend Roko Belic. It was made in 1989 while Nolan was studying at University College London. The film aired on "Image Union," a PBS programme in Chicago. It is about the suffering of a young man while he has nightmare about spiders and demons.

Two decades after surviving a massacre on October 31, 1978, former baby sitter Laurie Strode finds herself hunted by persistent knife-wielder Michael Myers. Laurie now lives in Northern California under an assumed name, where she works as the headmistress of a private school. But it's not far enough to escape Myers, who soon discovers her whereabouts. As Halloween descends upon Laurie's peaceful community, a feeling of dread weighs upon her -- with good reason.

The Parallel Corpses

A man vows to bring justice to those responsible for his wife's death while protecting the only family he has left, his daughter.

In a certain fishing village, a memorial service is held to burn abandoned boats, and old fishing boats that have finished their duty have a dream on the verge of death. Deep-sea fish galloping through the alleys, fishermen pulling long ropes, ghosts of screaming girls...

Facing a terminal disease, a mother uses space travel and relativity to stretch her last two years over the lifetime of her baby daughter, visiting for only one night every seven years. Mother and daughter must negotiate to build a relationship despite the longing and estrangement that marks the life moments they are able to share.

Trevor seeks a resolution amid a life filled with confusion and ennui.

Samantha, a little girl growing up in the sixties, loves classic b-movies and monsters - That is, until they start to invade her bedroom and her obssession compels her parents to seek help from the latest scientific breakthrough

The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

Silence is absolute and time dilates as we lose ourselves in an unpredictable space among non-existent places.

Drug adict teen gets out of rehab only to be accused of her boyfriend's death.

In his classroom a philosophy teacher opens the discussion on the place of religion in society. Out of his course he faces the realities of the street.