Transgender Nuclear Suicide Sojourner

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

In depth look at the life and death of INXS frontman Michael Hutchence (1960-1997), who took his own life at an Australian hotel room at the age of 37 on November 22, 1997. Featuring interviews with his family, bandmates and friends such as Bono.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

Lucy Rose, a transgender woman, shares her journey of self-love and empowerment since starting hormone replacement therapy three years ago. The film is part animation, part documentary and part VHS archive footage.

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

In 1968, Gordon Langley Hall claimed he was a woman misdiagnosed as male at birth because of a genital defect. To correct this, Gordon underwent one of the first sex reassignment surgeries in the United States. Her subsequent marriage to a black auto mechanic and the mysterious birth of their daughter Natasha sent Charleston, SC society into a fury and cast serious doubts on the truth behind Dawn’s story.

Documentary from the UK's Channel 4 investigating the death of INXS lead vocalist Michael Hutchence, which exclusively revealed information presented to the coroner in a police report which had not been made public at the official hearing - and explores the rumor which suggested that Hutchence died accidentally while engaged in a bizarre sex act. The documentary also features his last partner Paula Yates speaking on British television for the first time about what she believed led to the death of her lover. She talks candidly about their sex life, his passion for adventure and how the birth of their daughter turned the rock and roll wild man into a devoted father. Yates was not satisfied with the coroner's verdict and felt strongly that further investigation into the events of that night were crucial to both her and her daughter's future well-being.

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

Megacities is a documentary about the slums of five different metropolitan cities.

Games You Can’t Win explores “empathy” gaming, a new video game movement in which developers are sharing some of their most intimate or traumatic personal experiences through artful, documentary-style video games. Using a combination of intimate verité footage and video capture from the games, the short film tells the stories of three developer and the personal experiences that inspired their game.

A trans Vietnamese woman's deadname being repeated over and over again.

Les fils de la terre

In the underground world of diffing, a community finds solace in their passion, as they navigate personal struggles and challenges both on and off the road.

Through archive footage and images as well as interviews, the movie paints the portrait of a legendary trans womens' rights activist in Argentina. Like a family album to flip through, the narrative charts the ties solidarity and mutual aid create between people of the LGBTQI+ community and the long road to make the personal political, during the brutal 1980s in latin America.

Every encounter with an image, every interaction searches for its own form. She is the other gaze is a collaboration with five female visual artists of an older generation who have been part of the Viennese art scene since the 1970s and engaged in the women's movement. In dialogue with the filmmaker Renate Bertlmann, Linda Christanell, Lore Heuermann, Karin Mack and Margot Pilz share their early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers, the protagonists are a great influence on the contemporary art scene and the self-understanding of younger artists today. With their voices and narratives, they become collaborators passing on feminist thinking and artistic experiences.

Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.

Through a collection of video diary entries spanning more than a year, Pronouns in Bio delivers an offbeat and charming reflection on transness and identity. Part documentary, part video essay and part musical, the film follows director and star Lucy Rose Shaftain-Fenner, a recently out transgender, autistic woman, as she navigates the first year of her transition. Note: Lucy uses the name Frankie during the film but has since started using the name Lucy.