Two Ex-Lovers Cross Paths in a Corridor

Emiko Hayasaka (Seiko Matsuda), who lives in Hawaii, has arranged a marriage with Akira Kuniyoshi (Shinji Yamashita), the son of the president of a hotel chain. Although Emiko is not yet ready to get married, Akira and both of her parents are enthusiastic about the matchmaking. During a summer vacation in Japan, Emiko is attacked with a knife by a boy, but is saved by Shinji Terao (Kiichi Nakai), a young man who happens to be passing by. Shinji is passionate about windsurfing and trains hard every day for the world championships. Emiko is attracted to him because of his sincerity, though he is not very sociable. Upon returning to Hawaii, she overcame her parents' objections and got him to break off his proposal to Akira. Meanwhile, the world competition is approaching and Shinji comes to Hawaii from Japan.

The movie Pushpadhanu is based on human relations and sentiments.

An unknown couple in the same bed

15 years have passed and Roberto is still in love with his neighbor, but she prefers to hide ashamed of her body. With his art and an old clothesline as the only way of communication, Roberto has a plan to push his beloved for face her monsters at once.

The purportedly true story of a 23-year-old otaku (Japanese geek) who intervened when a drunk man was harassing a woman on a train. The otaku ultimately started dating with her and chronicled his event and his dates with the woman (who became known as "Hermès") on the Japanese mega-BBS 2channel.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

With the wedding of her younger sister fast approaching, Kat Ellis faces the undesirable prospect of traveling alone to London for the ceremony. While this is bad enough, Jeffrey, the man who left her as they moved closer to marriage, happens to be the groom's best man. Determined to show everyone -- most of all Jeffrey -- that her romantic life is as full and thrilling as ever, Kat hires a charming male escort as her date.

A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.

A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.

After she discovers that her boyfriend has betrayed her, Hilary O'Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood cancer. Slowly, they fall in love, but they always know their love cannot last because he is destined to die.

Communication is complicated. He tries to talk to her, but she seems unreachable. It’s unimaginable: she’s right on the other side of the table. When she tries to talk, it’s the same. At a time when “communication” is one of the great leitmotifs!

Cris is a film student going through a creative crisis. Her professor rejects her latest script because it is empty, conveys no emotion, and advises her that whatever it is that is blocking her, she should put an end to it and fix it, so that she can turn in the script again the following week.

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.

Julia is in love with her best friend Christian. Christian is in love with the single life. A film about the modern day relationship, being young, stupid and daring to say yes to love.

Zalamero (Flattering) is, among other things, a summer movie about Martin's summer. Martin wants it all; all the girls, all the boys, all the sun hours, all the nights, all colors T-shirts. He wants to be the main character of all summers. Why decide just for a thing? OMG, Flattering boy, you want it all.

Nine years ago, high school girl Jeongmin suggested a bizarre plan to her same-sex lover, Yoonseong, that they have a child who looks like both of them. Jeongmin’s wedding, scheduled in a few days, is just the start of that scheme.

Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.

Ava Moriarty, Art History PhD dropout-turned-dominatrix, wants OUT. But there's no safeword for golden handcuffs. When her mobster ex gives her 30 days to repay a massive loan, she's forced to agree to one last job--seducing and extorting "Father Dracula," a small town Episcopal priest. But Father Radovan Markovic brought his own secrets from Serbia, and moonlights as an MMA fighter while unwittingly hiding the world's greatest lost painting. Not to mention he's the one hot guy avoiding Ava like loose glitter. Certain he's embezzling a priceless art collection, will she win his heart only to destroy his life, or doom herself to a custom pair of concrete stilettos?

Young nurse Sissi lives a secluded life entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes an accident in which he provides first aid, Sissi wonders if he may be the man of her dreams. But when she finds him weeks later she is rejected, as Bodo is stuck somewhere between a traumatic past and a criminal future.

Much to the delight of the simple old father, his daughter becomes engaged to a big-hearted mountaineer. He builds their hut in the wilderness, and she is happy, though she often dreams of the great world outside. Then comes the intruder from the city, a man of the world. He obtains hoard at the girl's home. He blinds her eyes to the beautiful things of the; woods with his talk of pretty places and things of the great world without. He tempts and wins her away from the big-hearted backwoodsman. The young mountaineer, who has been working on his cabin, returns and finds the old man dozing and the girl gone.