Includes vintage Superchunk videos with commentary on the videos from the band and the directors, a documentary made by the band, interviews and live footage - you'll need a few days to get through all of it. Over four hours of material and all of it's essential.
Interviews with personalities including John Mellencamp, Spike Lee, Lou Reed, Roseanne Barr, David Byrne, George Michael and more, as they reflect on the 1980s.
Eleven sexy music videos you could never see on television complete and uncensored for the first time.
!Oye Esteban! collects 18 music videos from the King of Manchester Mope, Morrissey. The former singing star of the Smiths is featured prominently in a majority of the videos. Everyday Is Like Sunday Suedehead Will Never Marry (live) November Spawned A Monster Interesting Drug The Last Of The Famous International Playboys My Love Life Sing Your Life Seasick, Yet Still Docked We Hate It When Our Friends Become Successful Glamorous Glue Tomorrow You're The One For Me, Fatty The More You Ignore Me, The Closer I Get Pregnant For The Last Time Boxers Dagenham Dave The Boy Racer Sunny
Tigre is an experimental film with animation applied directly onto film.
So knives out. Catch the mouse. Squash his head. Put him in the pot. A promotional video for Radiohead's "Knives Out."
Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”
Wildest Dreams is a sonic adventure into the mind and heart of Nadine’s artistry. Drawing from personal experiences we hear and feel true reflection throughout this album.
An optimistic getaway driver waits for a trio of bank robbers in the parking lot.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Three people who accidentally left to Jeju Island find an old woman next to their tent - an old woman who would never wake up. As they start wondering whether the old woman is asleep or dead, it becomes more obscure whether they are concerned about or waiting for the death. Five songs drift away while the contemplation for the death. This is a film, as well as a new album of musician, Yozoh.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
An extraordinary thing happens when a young woman remembers the man she loves.
Wind
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
The Monster Mash was originally too hardcore for some to handle.
A short "making of" documentary for the stand out hit "Marlon Brando" by the incomparable Alex Cameron
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.
The second installment to BTOB's Ballad Trilogy, "Way Back Home" tells the story of three troubled boys who, after having lost their way, finally find their way back home.