Di sma undar jårdi spejlar och berättar

Shot on the island of Fårö, this documentary presents interviews with local inhabitants as they discuss work, family life, and the conditions of living in a sparsely populated rural community. Bergman documents generational differences and practical concerns surrounding farming, fishing, education, and migration as the island confronts social and economic change.

A poetic documentary of its nature and of some rare people living on Gotska Sandön, an isolated island in the Baltic Sea, close to Ingmar Bergman’s home residence Fårö.

Happy End is a story about Lukas, a self-absorbed young man adrift who meets Marja, an experienced, older woman. Lukas dreams of becoming a rock star. He escapes the city to his father's holiday flat in Visby, a town on the Baltic island of Gotland. But the flat has been rented out to Marja, an eccentric 69-year-old writer determined to complete her memoirs. Nothing can hold her back, least of all a confused dreamer. Much against their will, a friendship slowly develops. But Marja harbors a secret, and when the truth emerges their friendship is put to the test. Their stay on Gotland takes an unexpected turn...

Set in beautiful Faro, a young woman named Ida, feels lonely and loses all hope, believing death is looking for her. She soon comes up with a creative way of trying to cheat death itself.

Lieutenants Johnny Waller and Ingvar Lund have been appointed captains of two torpedo boats.

Tom Leimer arrives to the isle of Gotland, Sweden during the summer in order to find his old love Therese Sandström. She has, however, started a new life together with the upper-class-guy Karl von Silberhelm, and wishes no longer to know Tom because of his criminal past. A virus, turning people into living dead, breaks out on the isle. Tom makes his decision to try to rescue Therese - a choice that turns out to be more dangerous than he expected, since each who is infected hungers always for fresh human-flesh.

A bunch of young people travel to Gotland on their vacation - partying expected 24/7. But they get into trouble - with both the local population and a criminal gang.

ROUCH meets Rublev! Anssi Mänttäri’s and Heikki Takkinen’s new joint direction work is an ethnographically fascinating documentary about rituals across the border. It takes us to Estonia, to the small village of Saatse where Setos celebrate their traditional folk festival.

Can feminism and religion coexist? Inna Shevchenko of the Ukrainian FEMEN collective seeks answers to a difficult question in candid conversations with priests, imams, rabbis and other activists.

Radiohead performs at Denmark's NorthSide Festival on June 11, 2017.

Radiohead perform at I-Days Festival in Milan on June 16, 2017

An immersive journey into southern Galicia, one of Europe's most vulnerable wildfire zones, where humans and animals alike struggle to cope during the hottest, driest summer on record.

Ensayos y errores

Through a personal journey through space and time, where the past and present connect, a granddaughter rediscovers with her grandfather the corners of her childhood and ventures to explore her memory, in an incessant search for a fading past . Discovering old cassette tapes, he faces grief and longing, and decides to revisit his grandmother's house, in search of the essence of his journey.

Jeff Towne revisited four years after the release of the original film.

In an attempt to make her mother's dream come true, the director accompanies and is accompanied by three VRChat users, Rúben, Rodrigo and Stiff, who share their experiences and their contact with virtual reality, in an affective, technological and critical way.

Tekoá Koen-ju

Tekoha Ha’e Tetã

Kwanxwala-Thunder recovers the history of the Kwakwaka’wakw and stitches it together with contemporary stories of football and potlach in Canada. This creative documentary intertwines Canadian history, indigeneity, colonial legacies, feminisms, and sport. Shot over the period of several years (2009-2015), Kwanxwala-Thunder constructs a portrait of Alert Bay through soccer. The film's impressionistic approach takes us through the incorporation of soccer into Kwakwaka'wakw culture despite its colonial arrival on the island while highlighting multiple generations of female soccer players.

From photographs archived in family albums and photographs of patterns and texture, a collection of small stop motions emerges, accompanied by nostalgic ambient sounds. A reflection on childhood and the lack thereof.