Bananas de Pijamas: O Musical

Patati Patatá - Volta ao Mundo

Patati Patatá - No Mundo Encantado

Patati Patatá: Coletânea de Sucessos Vol. 2

Patati Patatá - No Castelo da Fantasia

Patati Patatá: Coletânea de Sucessos

Os Grandes Sucessos de Patati Patatá

As Histórias mais Engraçadas da TV com Patati Patatá

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

Public Image Limited provide a monumental live performance at London's Heaven, showcasing tracks from the new album. The (London) Times commented "This was an evening of uncompromising art and music; worthy of the total concentration of the audience. There is a PiL in Heaven was released as part of the 'This is Public Image Limited' limited edition 2 disc (cd/dvd) set.

Herbert von Karajan: Verdi: Don Carlo

According to the words of J.L. Borges in his work “A History of Eternity”, “eternity is a simpler and more magical thing: it is the simultaneity of those times… The past is in its present, as is the future.” In the short film, a metaphor is created with the “leaf” of a tree that withers and falls onto the “leaf” of paper, which is in turn a score of J.S. Bach’s Prelude in B-flat minor, which incidentally is played throughout the journey of the protagonist, the “leaf”. The timeless rhythms of Bach’s genius resonate, that immortal genius who centuries ago left his legacy on the eternal “leaves” of his scores, transcending time.

A story about a little gnome named "Grimble Grumble" and his psychedelic adventures in a pastoral setting, based on Syd Barrett's musical composition.

The film begins its tour at Andora Studios during the 1994 recordings of Wildflowers, then travels North America alongside the Heartbreakers as director and honorary "sidebreaker" Martyn Atkins is privileged to photograph candid moments, interviews and performances over the next 400 days.

Demain Sera Meilleur

Salome, princess of Judea, the daughter‑in‑law of King Herod, finds life in her father‑in‑law’s palace dreary. Her curiosity is roused when she hears the voice of Jochanaan, a prophet held prisoner by Herod who is afraid of him. Obsessed by this enigmatic and virtuous man, Salome is ready to do anything to possess him, dead or alive. Drawing on Oscar Wilde’s scandalous play of the same name, in 1905 Richard Strauss produced the work that was to ensure his status as Wagner’s successor in the history of German opera. A dazzling hour and forty minutes, decadent in its very essence, which, for her debut at the Paris Opera, Lydia Steier treats as a dystopia in which amorality rules.

Children's entertainer Rory recounts her rise to prominence with the help of puppet friends.

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.

During a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held in their honor. Pre-recorded at the Mariinsky Theatre in St. Petersburg in December 2011, Wassili Vainonen’s version of the beloved holiday ballet is for the first time in 3-D in select theaters.