Weiss ist die Farbe der Verlierer

The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.

In the suburbs of Montpellier, France, in the spring of 2024, a Roma wedding celebration is about to begin. In the bedroom of a small apartment, Luisa and her cousins meet up to talk about their dreams, their traditions, and their desire for emancipation. The ritual of flamenco dancing became for Luisa a space of freedom.

Short documentary on surfing.

Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.

The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.

Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.

A film crew follows three grieving participants of Miami’s annual T Ball, where folks assemble to model R.I.P. t-shirts and innovative costumes designed in honor of their dead.

Take a breathtaking train a ride through Nothern Quebec and Labrador on Canada’s first First Nations-owned railway. Come for the celebration of the power of independence, the crucial importance of aboriginal owned businesses and stay for the beauty of the northern landscape.

Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends. The documentary demonstrates the devastating experience of searching for a loved one who didn't come home with profundity and humanity.

In this documentary short film, a U.S. Army lieutenant instructs soldiers in how to prepare for new and interesting jobs in civilian life after the war. He leads the soldiers through a number of checklists to determine what their interests are and how to make decisions and plans for future employment. One of the soldiers, T-5 Dailey, worries about his options, until his mirror-image self appears to talk him through a plan of action.

On the eve of an inevitable exodus to urban centers, the youth of Témiscamingue are torn between the quest for a better future and their attachment to their homeland.

Rafael - the minister of sports of an unrecognized country, and Natasha - a Russian opera singer, try living together in Abkhazia - a war-torn future-less country. Observing their difficult relations, we see life in a place marked by war and nationalism. The film portrays trapped people dreaming of peace, normality and happiness.

St. Ives and the painters based in the town, and the surrounding areas, are showcased in this fascinating documentary.

Over the course of 10 months, a camera travels to Buenos Aires, Argentina and Hanover, Germany to meet with Magalí, María Belén, Ivana and Carla, the founding members of the Archivo De La Memoria Trans Argentina, the first existing Trans Archive in the world. Taking the shape of a photo-novel, the documentary not only recounts the founding members lives as trans women under the Argentine dictatorship (1976-1983), the AIDS epidemy, state repression and mass assassinations but also years of fighting for their rights, sorority and the exaltation of life and laughter in times of death. Filming each one of them is filming them embracing their new role as curators, archivists and historians while a collection of 7,000 photos goes through the filter of their memories.

Short film documenting the San Francisco Youth for Service program.

This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.

Through rare and precious footages and gigs with great artists such as Gilberto Gil, Gal Costa, Hermeto Pascoal, Djavan, Nara Leao, Luiz Gonzaga, among many others, "Dominguinhos" reveals this genius of Brazilian music, creator of a deeply authentic, universal and contemporary work. The film values the sensory cinematic experience, a journey driven by Dominguinhos his own.

A documentary that explores AIDS activism in Frankfurt, focusing on activists, affected individuals, and organizations fighting the epidemic, raising awareness, and advocating for policy changes. Directors Lou Deinhart, Evi Rohde, and Zoë Struif incorporate 1980s/90s theatre productions, news footage, and protest recordings into their research. Alternating between present-day encounters and historical media, they interview numerous witnesses, constructing a collage of diverse memories rather than a single narrative, highlighting grassroots movements' struggles, solidarity, and impact.

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.

This film is an album of Native womanhood, portraying a proud matriarchal society that for centuries has been pressured to adopt different standards and customs. All of the women featured share a belief in the importance of tradition as a source of strength in the face of change.