Es gibt mich noch - Ein Folteropfer aus der Türkei

Bakur (North) is a documentary that invites its audience to reflect on a war that has been continuing for decades and gives an insightful look on its main subject, the PKK. The film follows the lives of the guerilla in three different camps on the Kurdish region (north) that lies within Turkish borders.

In Turkey, buses are a cheap, widespread and therefore the most important means of public transportation throughout the country. What the airplane is in America and the train is in Europe, the intercity bus is in Turkey. The documentary takes a trip through Turkey using the common people's means of transport.

In Turkey far too many women are still unable to read and write, and all they see in their life span is being forced into early marriage and relegation to the home, where they look after extended families and more children than they can feed. The girls are portrayed in their homes, together with the strongest supporters of their emancipation through education: their mothers. Girls of Hope portrays five girls who struggle for their education and, despite all the difficulties, try to hold on to their hope for a better future.

For young Muslims who live in a free society, how is the culture of origin of the parents compatible with their own wishes? What significance does the commandment of virginity have?

Atatürk, père de la Turquie moderne

February 28 is Deniz Gezmiş's birthday… He would have been 75 years old today; but it only lived for 25 years, and in those 25 years, it had an impact that spanned 75 years. When you have a 25-year-old son, one feels better, what was done to him...

While the film focuses on a mother and son’s relationship, it investigates the long-term effects of the immigration of the filmmaker’s family from Bulgaria to Turkey and the life of a widow in a patriarchal culture.

When ordinary humans failed, Roghaye became a 48-hour superwoman—not to escape death, but to reclaim her ordinary life.

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.

In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones

We have a topic that has always been on the agenda of Turkey and the world, which we have been discussing for nearly 40 years: Cyprus. To foreigners, Cyprus is known as an innocent little island under Turkish invasion. Everyone forgot the bloody events of the past. What about us? Do we know? No. Especially the younger generations, who have come to the point of governing the country today, do not know where this country has gone through regarding Cyprus. However, we are now approaching a road junction in Cyprus. I will tell you the story of Cyprus in this documentary. This is a very bloody and sometimes very sad story...

Karaoğlan: Bir Ecevit Belgeseli

Dr. Mark Fairchild, world-renowned archaeologist, traces the hidden years of Saint Paul's life in the mountainous Turkish countryside of Rough Cilicia.

An indictment of the protagonists in the Cypriot civil war.

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

A thorough look at the 90's Turkish rock scene, one legendary stage band and its two members: Kerim Capli and Yavuz Cetin... An inquiry of their existential battles with the society, the industry and their own minds.