The Painter

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

A man hypnotizes a young woman into being an opera singer.

A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.

The Beast in Man

Scars of Jealousy is a 1923 American silent drama film directed by Lambert Hillyer and starring Lloyd Hughes and Frank Keenan. It was produced by Thomas H. Ince and distributed through Associated First National, later First National.

Olli, the spoiled young heir of the Koivumäki manor, is separated from his family and brought to Sweden by his cousin. After running away to Finland, he ends up in an educational institution, from where he escapes with the help of his friend Ränni Pelle and returns to his parents.

Silent military propaganda film by Erkki Karu, later followed by the musical revue film Meidän poikamme merellä ("Our Boys at Sea", 1933) and Meidän poikamme ilmassa – me maassa ("Our Boys in the Air – and We on Land", 1934), both of them also directed by Karu. The film comes with a orchestral accompaniment arranged by Raine Ampuja in 2005, based on the original score by Lauri Näre and Emil Kauppi, which in turn was based on traditional Finnish military tunes.

The Last Supper, part 6 of Alexandre Promio's Passion Play.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

A meditative film about the processes of consciousness of a local gangster and his attempts to break away from the group of fellow bohemian villains. The stilled narrative suggests themes such as generalized surveillance, the metamorphosis of the political regime only on the surface in post-communism, the impossibility of escaping from a system – favorite themes of the 90s. Through its metaphorical stylistics, the film is part of a tradition with which the films produced by the National Theatre & Film Academy (ATF) would be associated. -Gabriela Filippi

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

A film about the life of Molière (1622-1673).

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Spanish dancer Bonita della Guerda has a dream in which she is killed by a jester after declaring her love for a prince. Because she fears the dream will come true, she dares not reveal her love for Peter Gordon, whose uncle, Bliss Gordon, also shows her considerable attention. Bonita's relationship with Bliss is misunderstood by both Peter and her longtime protector, Emilio. In his jealousy the latter shoots Bliss's wife, Eve, who is performing Bonita's dance in hopes of recapturing her husband's love. Bonita no longer fears her dream and is united with Peter. A lost film.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

Anna is a poor girl who loves Erik, the son of a rich farmer. His parents are however determined to make Erik marry the rich Britta.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

Abraham Cadabra, an unconfident young man buys a magic book and top hat in the hope of using magic to impress the girl of his dreams, Penelope Predicament. However, when he meets her for a date, he discovers that his rival, Jock Strong has beaten him to it. Abraham tries to use magic to win Penelope over, but magic may not be the solution.

Left with the care of his little grandchild through the death of his daughter, old Mr. Blinn tries in every way to give her the cure and attention which she needs.