The People of Värmland

Vantyne Carter is a playboy living in luxury off his father. Vantyne's cousin Teddy, meanwhile, leads a fine upstanding life -- or at least he appears to, so he can curry favor with his wealthy uncle, Vantyne's father. One day, the senior Carter, fed up with his son's antics, decides to play a trick on both Vantyne and Teddy. The old man and his lawyer go off on a hunting trip, and then the lawyer returns with news that Carter was killed in an accident.

Milord l'Arsouille

A man is framed for the murder of his uncle, a bank president, and sentenced to hang. His sister and a mail clerk who's helping her discover information that may clear him, but they have to get to the governor in time to present their new evidence and get a stay of execution.

Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash-- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.

At a train station, a thief steals from a couple while the passengers are getting off the train. The boy runs after the thief and disappears. The girl, alone and lost, decides to go out into the street.

In this partially lost silent film, a man working as a motion picture extra in Hollywood westerns impresses a visiting sheikh with his boxing skills and is engaged to go to Arabia, where he becomes involved in warring and falls in love with a beautiful princess.

Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

An Englishman, Lord Wheatley, purchases an island over which reigns the supremely beautiful Phroso, thus disposessing her of her land. Revolted, the islanders, supported by an adventurer who desires Phroso, rise against the new master. The English are saved by the British governor, also under the spell of gorgeous Phroso. The latter, for her part, is not wholly insensitive to Lord Wheatley's distinction. The imbroglio still worsens with the meddling of a dark horse : the neighboring sultan.

The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.

Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!

Nunu and Iago are in love with each other. The married guard Girgola wants to get hold of the woman. Girgola gets Iago arrested and makes Nunu marry his retarded brother. On one occasion he finds the woman alone and rapes her. Nunu jumps in the river to commit suicide but gets saved by Iago’s friends. Iago escapes from jail, but Girgola attacks his hideout and haves him killed together with his friends. Girgola also kills Nunu’s old father and accuses Nunu of the murder. Nunu is tied to a pole and dies in the exile.

In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men; the first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.

The first ever Cuban feature film.

Servant Eeva promises to marry her childhood friend, tailor Aapeli, via letter, but withdraws after meeting the man. Though mostly preserved, the film is partially lost.

Victor Stowell, son of the deemster of the Isle of Man, is engaged to Fenella Stanley. He becomes involved in an intrigue with local girl Bessie Collister, becomes the deemster on his father's death, and is forced to try Bessie for killing her illegitimate child.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.