Cambodge, la magie khmère

A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.

Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.

Angkor et Les Mystères de L'Empire Khmer

La città macchina

Explorations in 21st Century American Architecture Series: Ray Kappe has long been a cult figure in the architectural scene in and around Los Angeles. In 1972, he founded the influential, avant garde Southern California Institute of Architecture (SCI-ARC), where many of the younger-generation architects have studied or taught.

No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.

Wiener Barock - Der Architekt dreier Kaiser

The Sacred City of Caral or Caral-Supe is the capital of the Norte Chico Civilization of Supe located in the Supe Valley, 200 km (124 miles) north of Lima. The Sacred City of Caral is the earliest known civilization in the Americas, it dates to the Late Archaic period. Radiocarbon analysis performed by the Caral-Supe Special Archaeological Project (PEACS) dates its development between 3000 to 1800 B.C.. It is believed that this civilization started by the merging of small villages based on trade of agricultural and fishing products. Its importance rests on the success of techniques of domestication of cotton, beans, potatoes, chilis, squash among other products. Success in agriculture was due to the development of water canals, reservoirs and terraces. They used guano, bird excrement, and anchovies as fertilizer.

André Le Notre is certainly the most famous French gardener. He was also a designer, architect, engineer, landscaper and urban planner. He worked for Louis XIV from 1645 to 1700 and designed the gardens of Versailles, Vaux le Vicomte, Chantilly and Fontainebleau, as well as the Tuileries in Paris.

As a teenager in 1950 Brooklyn, all Saul wanted to do was hang out with his friends and go to the beach. Instead, he got roped into a dangerous new job, and Saul got in a little over his head.

"Chair Times" charts a course through an ocean of chairs. In the focus are 125 objects from the Collection of the Vitra Design Museum. Arranged according to their year of production, they illustrate development from 1807 to the very latest designs straight off the 3D printer, forming a timeline to modern seating design. The film features many people whose vocations involve design and who are experts in the field, such as designers Hella Jongerius, Antonio Citterio and Ronan Bouroullec, architects and collectors Arthur Rüegg and Ruggero Tropeano, architect David Chipperfield, Director Emeritus of MAK Vienna/Los Angeles Peter Noever, Mateo Kries, Director of the Vitra Design Museum, Vitra Design Museum curators Amelie Klein, Jochen Eisenbrand and collection curator Serge Mauduit. And your guide through the history of chairs is Rolf Fehlbaum, Chairman Emeritus of Vitra.

For the first time in history, women are designing our world. They are the rising stars in architecture-previously an all-male galaxy--and they are literally and figuratively changing the landscape. MAKING SPACE captures the compelling stories and outstanding designs of Annabelle Selldorf (NY), Farshid Moussavi (London), Odile Decq (Paris), Marianne McKenna (Toronto), and Kathryn Gustafson (Seattle & London). Without script or narration, each woman tells her own story, enhanced by the insights of commentators including Pulitzer Prize-winning architecture critic Paul Goldberger; MoMA's Peter Reed and Paola Antonelli; and others. Meryl Streep makes a special guest appearance.

Khéops, mystérieuses découvertes

Frederick Law Olmsted designed New York City's Central Park with Calvert Vaux over 150 years ago, and it remains an undisputed haven of tranquility amidst one of the largest, tallest, and most unnatural places on earth. This film examines the creation of America's great city parks in the late 1800s through the enigmatic eyes of Frederick Law Olmsted, visionary urban planner and landscape architect. In his own words, Olmsted and America's Urban Parks weaves together Olmsted's engaging and poignant personal story with those of the lasting masterpieces he left for us today, featuring Academy Award-winning actor Kevin Kline as the voice of Frederick Law Olmsted.

Ireland’s great houses, towers and castles, including Yeats’ Tower House, Bunratty Castle, Butler Castle and Castletown House.

Les Trésors du Paris haussmannien

Uma casa, uma vida

Rule of Stone is a documentary film that exposes the power of architecture and the role it has played – aesthetically, ideologically and strategically – in the creation of modern Jerusalem after the 1967 war.

To Olmsted, a park was both a work of art and a necessity for urban life. Olmsted’s efforts to preserve nature created an “environmental ethic” decades before the environmental movement became a force in American politics. With gorgeous cinematography, and compelling commentary this film presents the biography of a man whose parks and preservation are an essential part of American life.

"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici