Soberanía

Kenneth is a charismatic character whose trade is taking pictures of his neighbours in Curundú. "An almost retired criminal" and also a man with a talent for storytelling. Through Kenneth and his pictures, the documentary talks about Curundú, one of the poorest and most marginalised neighbourhoods in Panama City.

Panama’s strategic geographic position has long been its greatest economic asset, with the Canal serving as the cornerstone of its development. Yet for decades, control of this vital waterway remained in the hands of a foreign power. Through interviews with residents of Panama City, Una bomba a punto de estallar (1977) captures the hopes, doubts and political sentiments surrounding the negotiation of the new treaties between Panama and the United States, offering a vivid portrait of a nation debating its sovereignty and future.

Documentary about calypso signer Lord Cobra.

A musical group of young people from Viejo Veranillo perform protest songs in favor of the sovereignty of Panama. Set in 1976, a year before the signing of the Torrijos-Carter Treaties, the members of the group led by “Chirri”, vocalist and ukulele player, tell of their experiences in the neighborhood and their disagreements with the US military on the border that divided its community with the old Canal Zone.

An ironic portrayal of the days of the U.S. blockade of Panama, set during the dictatorship of Manuel Antonio Noriega, just months before the country was invaded by U.S. troops.

As part of the process of political and social transformations undertaken by the military government, a new political model based on the election of corregimiento representatives (505 in total) popularly chosen and that will replace the former Assembly of Deputies controlled by political parties by political parties traditional The majority of the members of this new political experiment are peasants, indigenous, workers and community leaders.

Colorful portrait of a subculture on the verge of disappearing: the hot, uncomfortable school buses that for decades served as Panama’s primary form of public transportation, seen through the eyes of one of their drivers. The British filmmakers themselves gave the film its Spanish title, La fama.

The Nicaraguan revolutionaries, determined to overthrow the bloody dictatorship of Anastasio Somoza, enjoyed the semi-clandestine support of the Panamanian government and popular organizations from 1974 onward. Following the Sandinista Front's victory, which toppled a dynasty that had ruled for over 45 years, General Omar Torrijos visited that sister nation to strengthen ties between the two peoples.

One year after the creation of the National Assembly of Community Representatives (1972), a new power structure established by the government, significant changes had taken place throughout the country. This documentary records the most important of these transformations, as well as the working methods of the Assembly. It follows the consultation tours organized by the Legislative Council, during which basic forms of grassroots organization are discussed at the community level. The film also draws a parallel between life in the countryside and in the city.

A documentary film crew follows Diego, a newly turned vampire who struggles to adapt with the help of his vampire roommates. Between family disputes and clashes over vampire behavior, Diego tries to get used to his new bloodthirsty life while remaining true to himself and the people he loves.

2008 / 35MM / 2 Min.

Two years after being released from prison, a former advertising director is struggling to rebuild his life in a city that does not offer second chances. Desperate for his situation, he agrees to participate as a driver of the vehicle in what appears to be a simple bank robbery.

Claudia, a friendly and cheerful young woman, is chatting on the phone with her sister as her wedding day approaches. However, one detail is worrying her family: no one has met her fiancé yet. Claudia reassures her sister by saying that he is, without a doubt, the man of her dreams.

A bus driver dreams of his ideal woman, who materializes with the face of the mermaid painted on his bus. Video transfer of a slide projection by Sandra Eleta, composed of images from nine projectors.

Sous-marins, fleurons de la marine française

Examines the legacy, cultural impact, and body of work of American R&B/funk/jazz/soul/disco band Earth, Wind & Fire, and will feature exclusive access to the band’s archives of visual, audio, and written material, as well as the support of the estate of Maurice White and the band.

This documentary delves into the unanswered questions surrounding the trial of Jessica Wongso — years after the death of her best friend, Mirna Salihin.

Narrated by Ethan Hawke, Welcome Nowhere tells the true story of a community of Roma people (commonly known as Gypsies) who live in old train boxcars in Sofia, Bulgaria after being forcibly evicted from their homes. Without bathrooms for more than 200 people, they struggle to survive, waiting for help from the government that never seems to come.

In 1967 Canadian filmmaker Hugh O'Connor came with a crew to eastern Kentucky to make a film showing people from all walks of life in the United States. They finished the day by filming coal miners and their families in rental houses. As the filmmakers were leaving, Hobart Ison, the owner of the property, drove up and fired three shots, killing Hugh O'Connor. Elizabeth Barrett, from Kentucky herself, explores why this happened by trying to understand the people and culture of eastern Kentucky.

The documentary is a portrait of an artist and a portrait of a deadly disease. Lene Marie Fossen was a gifted photographer who suffered from severe anorexia. Self Portrait is a film about the power of art and survival, but it also raises important questions about what treatment one who suffers from severe anorexia needs.