Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.
In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.
At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.
A drifter spends the night in an abandoned house and encounters a Window of Consciousness. This award-winning film combines elements of art house, avant-garde, surrealism, and experimental horror.
Ten includes all other numbers. It is called the number of perfection, or the sacred number.
An experimental short from Oskar Fischinger
The parents of an adult infant named "Child", played by Todd Haynes, attempt to expel him from their home, by casting magical spell seen in a television documentary about Malaysian rites of passage.
Music by Byron Westbrook, 16mm film by Paul Clipson.
With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface
A being from the beyond returns to Chile in 2019, embodied in a worker who dreams of social upheaval. Viral videos intertwine with fiction to narrate the experiences of a polarized country that wanders between drama and absurdity, illusion and failure.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
Omnibus film with 13 short films by students of the HfG Ulm
An experimental, activist short-film following Quinn, who falls pregnant, but did not have the freedom to choose. So she takes matters into her own hands.
Follows experiments of fictional 19th century aristocrat Monsieur Lautréamont, a hypochondriac dandy committed to the pursuit of true aesthetic perfection which he calls “urge-ingeniousness”. The film focuses on the interplay between Lautréamont and Louise, his seductive servant, and switches back and forth between Bock as the master and his reliance on Louise who is all at once nurse, servant, inspiration and lover. The film crosses the boundaries of surreal fantasy and period drama, with Bock playing the tormented genius, an inventor attempting to achieve perfection in every creative aspect: poetry, perfume, and even nature. Filmed at Chateau du Bosc, the family home of the aristocratic dwarf Henri de Toulouse Lautrec. Toulouse Lautrec is clearly the inspiration for Bock’s character
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.
Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of the forgotten people, their lives and their deeds. These two Archives have been found on the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer. This film ponders on this occurrence, on the vanishing of and forgetfulness of humans.
“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.
A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.
Two people attempt to connect over a great distance.