Connection | Isolation presents eight intimate portraits of trans and post-gender individuals navigating the challenges of the COVID-19 pandemic. Amidst moments of connection and isolation, these participants reveal a deepening awareness of gender, their bodies, and trans community. Created by an all trans and queer crew, this hybrid documentary film interlaces portraits with reenactments, integrating archival material documenting what so many experienced and many still do.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
Hard to imagine, but true: According to current estimates, out of 500,000 active male football professionals worldwide, under ten (10) are openly homosexual. While homosexuality hardly plays a role in other areas of life today, the topic seems to be completely taboo in professional football. The feature-length documentary THE LAST TABOO lets those who broke exactly this taboo tell their very personal stories alongside Thomas Hitzlsperger. Like the British professional footballer Justin Fashanu (*1961 in London; † 1998 in London), who broke this taboo for the first time in 1990 and paid for it with his life. His niece Amal tells his story. Marcus Urban, on the other hand, was about to make the jump to the Bundesliga as a teenager and, by deciding to come out, he also went against his big dream. The stories of the US professional Collin Martin and the British player-coach Matt Morton, on the other hand, suggest that normality is not far away.
Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.
The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.
Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.
The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.
Victorian Queens takes a deep dive into the weird, wonderful and utterly unique landscape of Melbourne's drag community.
Amber belongs to a queer generation which no longer wants society to dictate their identity. The teenagers proudly inhabit a spectrum of fluid identities and master their first loves and losses.
KWAIDAN
Adrianna, a young DJ artist and activist in the queer community, has learned to evolve in a world that is sometimes too stifling for her. By creating her own family and learning trades in which she can use all her creativity, Adrianna is spreading her wings.
Ary Zara lives in limbo trying to understand who he really is. Refusing the gender binary categories that society imposes, at the age of 28 he decides to explore his identity by facing a physical and emotional transformation. A three-year journey revealing what is on the other side of the mirror through the courage, doubt and freedom of a deeply intimate process of self-discovery.
A portrait of Toronto, as defined by the spaces its queer residents inhabit and the memories they’ve created there.
In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.
A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.
The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.