Faustina - Música Para Viver

“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.

In summer 2003, when the heatwave hit in Europe, in Switzerland, the glacier below the Schnidejoch pass, released a mysterious object: a piece of a Neolithic quiver.

A video essay that despite, multiple delays, finally released to document the story and cancellation of solo-dev Heavenly Den!'s game, Blessed Realities, as a way to bring closure to the game and the studio's story. The story is over.

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.

El Guardián de Los Andes

For the first time ever, experience the work of a nation as it host the world and puts on a show like never before.

Experience the broadcasting of the Olympic Games from behind-the-scenes.

“Factory-made wheelchairs are huge, heavy and ugly.” To counter this reality, wheelchair riders Ralph Hotchkiss and Omar Talavera began making beautiful, all-terrain wheelchairs. Their work draws on the resourcefulness of disabled people in the Third World, who have no choice but to build their own chairs. A well-crafted piece in its own right, Zimbabwe Wheel illustrates that wheelchairs can be truly empowering works of art: hand-crafted machines that are inexpensive, durable, and tailored to the needs of the rider.” Working on your chair is like working on your whole sense of self,” says a student, describing a feeling no factory-made chair can provide.

Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.

Bruce Springsteen, le chanteur qui murmurait à l'oreille de l'Amérique

Nubia: The Forgotten Kingdom

Ed is commissioned to make a documentary intending to change those habits of society that are harmful to animals. But completely alien to the animal protection movement, he will realize that to carry out the project, he must first convince himself.

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

What would American democracy look like in the hands of teenage girls? In this documentary, young female leaders from wildly different backgrounds in Missouri navigate an immersive experiment to build a government from the ground up.

Tomorrowland : 20 ans d'émotions

si me pierdo en un día nublado

As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.

In war-torn northern Syria, WHO LOVES THE SUN delves into the world of makeshift oil refineries and the stark realities of life within this post-apocalyptic landscape. Mahmood is a prominent figure in these operations, navigating harsh working conditions and complex local dynamics.

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.