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An unflinching look at the life and story of Mark Kerr between 1999 and 2001, an intelligent, articulate, and emotionally vulnerable athlete, considered by many at the time to be the most dominant ultimate fighter in the world. A former Olympic wrestler, Kerr easily dominated all his opponents, earning him the nickname "The Smashing Machine." With the promise of big money and the euphoria of his early victories, Kerr must battle his injuries and inner fears. The shock of these fights takes a heavy toll on his body and mind, and Kerr attempts to overcome these physical and psychological traumas by turning to painkillers. Kerr's addiction is shown in its raw form, with the camera capturing him desperately soliciting drugs from friends and staff, and injecting painkillers into his veins. His shocking defeat to Fujita in Japan shows us a story that is sometimes difficult and heartbreaking to watch.

Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.

A special behind-the-scenes look at the making of the audiobook edition of "d'ILLUSION: The Houdini Musical" and how it did its part in helping keep theater and the arts alive during the COVID-19 pandemic.

High-school principal Dr. Alfred Carroll relates to an audience of parents that marijuana can have devastating effects on teens: a drug supplier entices several restless teens, Mary and Jimmy Lane, sister and brother, and Bill, Mary's boyfriend, into frequenting a reefer house. Gradually, Bill and Jimmy are drawn into smoking dope, which affects their family lives.

Cliff receives an unusual 18th birthday gift from his younger sister — marijuana, alcohol, a subway token and the mission to lose his virginity. This results in Cliff meeting a young street hustler named Butch. At first, as Butch introduces Cliff to gay street life in Toronto, Cliff is excited by his new relationship. But as the two grow closer, he finds that Butch has problems, including drug addiction, that are cause for serious concern.

Chronicles the fascinating and often turbulent life of Townes Van Zandt.

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

Four young heroin addicts scour the streets of Melbourne in search of some good-quality narcotics – or as they call it, 'pure shit’. In the space of 48 hours, a friend dies of an overdose, they are ripped off by criminals and arrested and assaulted by police. They bungle a break-in, get chased by hooligans and one is sent to a methadone clinic. The search for drugs veers between farce and tragedy, but it never stops.

When Albers takes his drug-addicted opera star sister Gerda to a sanitarium, they both become targets of slimy dope peddler Peter Lorre, who fears that Gerda will blow the whistle on him. Lorre kidnaps the woman, leading Albers on a frantic chase.

One man's love is personified in superhero form inside the mind of his drug addicted girlfriend as she goes through withdrawal.

The documentary dives intimately behind the scenes of the Finnish National Opera and sucks the viewer in like the best of thrillers. The three hours fly by, even for those who aren’t necessarily interested in opera as an art form.

A shy but ambitious film student falls into an intense, emotionally fraught relationship with a charismatic but untrustworthy older man.

Oh how nice is Panama. However, it may be even nicer in Sweden. At least in winter 2020/21, when a small virus called SARS-CoV2 paralyzed the continent of Europe in particular. While in most countries the fight against the virus was announced with a wide variety of measures such as lockdown, compulsory masks and contact restrictions, which were also punishable by law, Sweden went a different way.

Gravedigger is the last name on the list of fighters facing the Corona epidemic. The gravediggers have buried the dead in one corona after another at the call of humanity even though they were not paid. In return, they received some rewards and an invaluable realization. One of them is Aslam of Ray Bazar Cemetery, The Last Man.

Amid a crisis that has forced everyone into quarantine, Rick Baldwin is seeking sanity – and maybe even…. love?

It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?

A brilliant but impulsive young surgeon spirals into self-destruction after a painful breakup, struggling to cope with love, loss, and the consequences of his own temper.

A young heroin addict roams the streets of New York to panhandle and get her next fix, while her unstable boyfriend drifts in and out of her life at random.

It's 1983, and hopeless junkie Dick gets an unwelcome visit from the past - his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.

Citizens of a small town are infected by a biological weapon that causes its victims to become violently insane. As uninfected citizens struggle to survive, the military readies its own response.