Mello, Judd, & Tooth Floss

A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.

A short film about life.

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

The summer of his high school freshman year, Hodaka runs away from his remote island home to Tokyo, and quickly finds himself pushed to his financial and personal limits. The weather is unusually gloomy and rainy every day, as if taking its cue from his life. After many days of solitude, he finally finds work as a freelance writer for a mysterious occult magazine. Then, one day, Hodaka meets Hina on a busy street corner. This bright and strong-willed girl possesses a strange and wonderful ability: the power to stop the rain and clear the sky.

Kyoko, who couldn't believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It's a punishment that I've been doing as much as I like. Katsuya appears in front of Kyoko who thinks so...

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

As Belas Cores do Nascer do Sol

Midori is a high school student of a brand new school. Elected as a member of the first student body government, Midori and the rest of the officers decide to put together a gakuen-sai--a school festival. Midori likes Akira, who happened to help her out during the election speech (she fell on stage, with some more embarrassment). She's excited about working for the festival, especially since she gets to work with Akira. She tries to be a match-maker for Mamiya-san (Mami-ryn) and Sudoh-kun during the process too.

An experimental film that explores the minds of a teenage couple experiencing an unintended pregnancy and their struggles with social pressure, discrimination, and abuse.

The line between isolation and creativity begins to blur for a group of teenagers. Some are free, some are not; but all have moments of passion and beauty.

Two gay men in Japan discuss the end of their respective relationships.

¿Por qué la gallina cruzó el camino?

Hina Satou is a 13-year-old who loves figure skating and lives in a port town in Miyagi Prefecture. After losing her mother in the 2011 earthquake, she and her father are currently living in temporary housing. With sad memories of the earthquake and memories of a gentle mother, the cheerful Hina continues to move toward her dreams.

In Akihabara, Sakura Sakuragi (Yurika Kubo) runs cat cafe "Mocha." She listens to her customers’ troubles there. The various customers that enter her cafe also take comfort in the cats that reside there.

Satomi is fine being alone until an AI named Shion joins her class with a song and a promise to make her happy. While Shion’s musical numbers and princess gowns don’t quite pass as human, her antics bring Satomi closer to four other classmates. Together, they make memories worth saving, but even our most precious data can be erased.

During a walk through the forest, a woman reflects on life and memories.

A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.

Two robots embark on a quest to become human.