Salvation Army Parade in Indian Village - No.1

Soldat for frelseren

Le Beurre : Du bonheur en motte ?

Benninger

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

A story to honor actor-singer-activist Paul Robeson and his contributions to today's social climate and inspire new generations to engage in the ongoing fight for justice and equality.

Traveling the length and breadth of the country, S. Sukhdev constructs, a panoramic, non-narrated study of Indian life in the late 1960s. Shot across villages, deserts, countryside, and cities, the film observes daily labor, leisure, and movement without commentary, allowing humor, contradiction, and social texture to emerge organically. The result is a sensory encounter with India poised between inherited tradition and accelerating modernity.

A look at the enduring relationship between the nomadic shepherds and the Indian wolf, who both defy the pressures of the modern world, in the south central plains of India.

A Suitable Girl follows three young women in India struggling to maintain their identities and follow their dreams amid intense pressure to get married. The film examines the women's complex relationship with marriage, family, and society.

As part of the 2017 UK-India Year of Culture, the British Council and British Film Institute share a unique collection of films documenting the sights and culture of a bygone India. Filmed between 1899-1947, and preserved in the BFI National Archive since then, these rare films capture many glimpses of life in India, from dances and markets, to hunts and pageantry.

Animated documentary which uses the voices and drawings of a group of children who live in a clinic in India. The guitar, the dances, a trip out to sea, the cats Sweety and Kitty, and the sisters who look after them are just some of the treasures and dreams which the children keep hidden under the pillow.

"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.

Gods in Shackles is an expose revealing the dark side of the Indian state of Kerala's glamorous cultural festivities that exploit temple elephants for profit in the name of culture and religion.

Glow Worm in a Jungle is about Hema Sane, a retired botany professor, who has never used electricity in her life. Living surrounded by nature, amidst a concrete jungle, she shares her philosophy of life with doses of humor and wisdom.

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

A film about memory, identity and the overwhelming power of love. One-year-old Devi was found starving at a railway station in Delhi. The police took her to Palna, an orphanage, where she lived for a year. When Devi learned to talk she often wanted to talk about Amma, her first mother. In the film, the 6-year-old Devi journeys to her own past, as her family adopts another daughter from Palna, a baby sister for Devi.

Aristocracy, army, elephants and more mark the start of the 1903 Durbar.

Stately scenes in India, likely filmed during the 1903 Delhi Durbar.

Rural life in the mountainous valley near Gilgit - now in the Northern areas of Pakistan.

The Duke rides an elephant as he ventures on safari in Bengal.

Armoured elephants, sacred monkeys and a camel carriage from Rajasthan.