The Creepypasta Episodes: Remastered

In 19th century Vermont, a young woman's parents drink sleeping tea in order to survive the harsh winter, but an early thaw leads to horrifying results.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.

Who has ever compared Reservoir Dogs? What are “Open Road” and “New World Disorder”? Why is Harvey Keitel a fairy and how did we all almost become diehard fans of Paul Calderon? Here’s a story about Quentin Tarantino. The director who needs no introduction.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

Twenty-five films from twenty-five European countries by twenty-five European directors.

When we think of a prolific, yet tumultuous career in Hollywood... A name stands out amongst the crowd. In a rollercoaster of events, from stardom, rock bottom, and returning, as one of the most well known actors in the industry, thanks to his incredible portrayal of his roles and charismatic demeanor. From his hardships to his incredible retribution... This is... Robert Downey Junior.

Set in a small, isolated 19th century Irish home for unwed mothers, a young pregnant woman must fight for her survival as the home falls siege to a group of mysterious invaders.

A mysterious woman is forced to face herself in this dizzying karaoke nightmare.

The story of the murder of British backpacker Grace Millane and how her killer was caught.

Her rise was a global phenomenon. Her downfall was a cruel national sport. People close to Britney Spears and lawyers tied to her conservatorship now reassess her career as she battles her father in court over who should control her life.

Ben Fogle spends a week living inside the Chernobyl Exclusion Zone, gaining privileged access to the doomed Control Room 4 where the disaster first began to unfold.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Tenkasi, the creator of a hit television show, finds himself in the house of Julie, a fan, after an accident. However, she reveals herself to be emotionally unstable and potentially dangerous.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.